Assaph: Studies in the theatre, Numéros 7 à 8Faculty of Visual and Performing Arts, Tel-Aviv University, 1991 |
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Page 98
... representation that have become standard in some arts , and if we adhere to linguistic - semiotic terminology they do not hide or distort anything but , rather , formulate thoughts in a special way . The apparent absurdity ...
... representation that have become standard in some arts , and if we adhere to linguistic - semiotic terminology they do not hide or distort anything but , rather , formulate thoughts in a special way . The apparent absurdity ...
Page 99
... representation , although suppressed , enjoys a very important status in our psyche and maintains its basic vitality . Nietzsche's philogenetic thesis suggests that dreaming is a primeval way of thinking , while awake , characteristic ...
... representation , although suppressed , enjoys a very important status in our psyche and maintains its basic vitality . Nietzsche's philogenetic thesis suggests that dreaming is a primeval way of thinking , while awake , characteristic ...
Page 63
... representation , according to the context . Of course , all dance operates on this model ; but the fact that gestuality more clearly calls for the recognition of familiar actions seems , in my opinion , to work towards the perception of ...
... representation , according to the context . Of course , all dance operates on this model ; but the fact that gestuality more clearly calls for the recognition of familiar actions seems , in my opinion , to work towards the perception of ...
Table des matières
Theatre and Psychoanalysis | 1 |
The Post | 21 |
GEORGES BAAL 35 Toward a Freudian and Lacanian | 35 |
Droits d'auteur | |
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action actor actually aesthetic analysis appear Arab aspects associations attempt audience Aviv basic become beginning body Brecht called century character communication created critical cultural dance described directed drama dream effect elements example experience expression fact figures final force Freud function gesture give hand hand gestures Hebrew human important indication interpretation Jews kind King kneeling land language later Lear Master meaning metaphor method Molière move movement natural object original paintings Paris particularly performance physical play possible present Press problem production psychoanalysis question reality referent relation represent representation ritual says scene sense signs similar situation social space spectator speech stage structure symbolic Tel Aviv University theatre theatrical theory thinking thought tradition unconscious understanding University York