Assaph: Studies in the theatre, Numéros 7 à 8Faculty of Visual and Performing Arts, Tel-Aviv University, 1991 |
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Page 133
... ritual scenes we know about in the Sahara are represented here . This archaic period is represented by seemingly Negroid human groups that leave the impression of bearing no relation to the groups that succeeded them . It is as if they ...
... ritual scenes we know about in the Sahara are represented here . This archaic period is represented by seemingly Negroid human groups that leave the impression of bearing no relation to the groups that succeeded them . It is as if they ...
Page 151
... ritual and theatre constitutes one of the main problems in the history of the theatre . In this respect , the specialists ' opinions range over a large scale of interpretations . Depending on the stressing of the similarities or ...
... ritual and theatre constitutes one of the main problems in the history of the theatre . In this respect , the specialists ' opinions range over a large scale of interpretations . Depending on the stressing of the similarities or ...
Page 152
... ritual and theatre ' pre - theatrical elements ' because we have referred to the historical context , to their chronological appearance . The masks , ritual dances , and ritual processions appeared before the Greek theatre , and ...
... ritual and theatre ' pre - theatrical elements ' because we have referred to the historical context , to their chronological appearance . The masks , ritual dances , and ritual processions appeared before the Greek theatre , and ...
Table des matières
Theatre and Psychoanalysis | 1 |
The Post | 21 |
GEORGES BAAL 35 Toward a Freudian and Lacanian | 35 |
Droits d'auteur | |
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action actor actually aesthetic analysis appear Arab aspects associations attempt audience Aviv basic become beginning body Brecht called century character communication created critical cultural dance described directed drama dream effect elements example experience expression fact figures final force Freud function gesture give hand hand gestures Hebrew human important indication interpretation Jews kind King kneeling land language later Lear Master meaning metaphor method Molière move movement natural object original paintings Paris particularly performance physical play possible present Press problem production psychoanalysis question reality referent relation represent representation ritual says scene sense signs similar situation social space spectator speech stage structure symbolic Tel Aviv University theatre theatrical theory thinking thought tradition unconscious understanding University York