Assaph: Studies in the theatre, Numéros 7 à 8Faculty of Visual and Performing Arts, Tel-Aviv University, 1991 |
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Page 62
... social hierarchies are intimately related and dependent on each other . After tossing a towel to his student in order to have him dry his back , Galileo explains - For two thousand years people have believed that the sun and all the ...
... social hierarchies are intimately related and dependent on each other . After tossing a towel to his student in order to have him dry his back , Galileo explains - For two thousand years people have believed that the sun and all the ...
Page 98
... social institution should thus be understood on two basic accounts : a . a social permit to confront suppressed drives originating in the UCS in the context of a collective experience that lends them some kind of legitimation , and ...
... social institution should thus be understood on two basic accounts : a . a social permit to confront suppressed drives originating in the UCS in the context of a collective experience that lends them some kind of legitimation , and ...
Page 151
... social life of its inhabitants . • The connection between ritual and theatre constitutes one of the main problems in the history of the theatre . In this respect , the specialists ' opinions range over a large scale of interpretations ...
... social life of its inhabitants . • The connection between ritual and theatre constitutes one of the main problems in the history of the theatre . In this respect , the specialists ' opinions range over a large scale of interpretations ...
Table des matières
Theatre and Psychoanalysis | 1 |
The Post | 21 |
GEORGES BAAL 35 Toward a Freudian and Lacanian | 35 |
Droits d'auteur | |
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action actor actually aesthetic analysis appear Arab aspects associations attempt audience Aviv basic become beginning body Brecht called century character communication created critical cultural dance described directed drama dream effect elements example experience expression fact figures final force Freud function gesture give hand hand gestures Hebrew human important indication interpretation Jews kind King kneeling land language later Lear Master meaning metaphor method Molière move movement natural object original paintings Paris particularly performance physical play possible present Press problem production psychoanalysis question reality referent relation represent representation ritual says scene sense signs similar situation social space spectator speech stage structure symbolic Tel Aviv University theatre theatrical theory thinking thought tradition unconscious understanding University York