Assaph: Studies in the theatre, Numéros 7 à 8Faculty of Visual and Performing Arts, Tel-Aviv University, 1991 |
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Page 43
... unconscious . In theatre , we should also distinguish the manifest content , i.e. the clearly visible stage image and narration : the text ( ' words , words , words ... ' to quote Hamlet ) , from the deeply hidden layers perceived by ...
... unconscious . In theatre , we should also distinguish the manifest content , i.e. the clearly visible stage image and narration : the text ( ' words , words , words ... ' to quote Hamlet ) , from the deeply hidden layers perceived by ...
Page 46
... unconscious . Theatre is viewed , this way , as a social and cultural equivalent of the dream . Dreams are individual attempts to let the unconscious express itself . They could be described , in a rather simplified manner , as the ...
... unconscious . Theatre is viewed , this way , as a social and cultural equivalent of the dream . Dreams are individual attempts to let the unconscious express itself . They could be described , in a rather simplified manner , as the ...
Page 52
... unconscious is structured as a language ' . This calls immediate attention to the importance of the inner , hidden structure of the unconscious and to the hardly self - evident role of language . ' A language ' ( ' une langue ...
... unconscious is structured as a language ' . This calls immediate attention to the importance of the inner , hidden structure of the unconscious and to the hardly self - evident role of language . ' A language ' ( ' une langue ...
Table des matières
Theatre and Psychoanalysis | 1 |
The Post | 21 |
GEORGES BAAL 35 Toward a Freudian and Lacanian | 35 |
Droits d'auteur | |
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action actor actually aesthetic analysis appear Arab aspects associations attempt audience Aviv basic become beginning body Brecht called century character communication created critical cultural dance described directed drama dream effect elements example experience expression fact figures final force Freud function gesture give hand hand gestures Hebrew human important indication interpretation Jews kind King kneeling land language later Lear Master meaning metaphor method Molière move movement natural object original paintings Paris particularly performance physical play possible present Press problem production psychoanalysis question reality referent relation represent representation ritual says scene sense signs similar situation social space spectator speech stage structure symbolic Tel Aviv University theatre theatrical theory thinking thought tradition unconscious understanding University York