Television Across Europe: A Comparative IntroductionJan Wieten, Graham Murdock, Peter Dahlgren SAGE, 4 oct. 2000 - 288 pages Combining institutional textual and audience analysis, this book introduces students to the factors which have shaped television′s development in contemporary Europe, and invites them to assess the issues that are at stake in its future. Divided into three parts, the book moves from the European broadcasting environment, through current patterns and trends in programming and programme making, to TV genres and issue-specific broadcasting. Incorporating a range of pedagogical devices: boxes of key facts, activities and notes for further reading, Television across Europe offers an essential introductory guide to television in Western Europe. |
Table des matières
| 3 | |
| 7 | |
Key Trends in European Television | 23 |
Digital Futures European Television in the Age of Convergence | 35 |
Television Trends Organization and Representation | 59 |
Introduction | 61 |
Programming and Channel Competition in European Television | 65 |
Popular Drama Travelling Templates and National Fictions | 84 |
Introduction | 137 |
Music Television MTVEurope | 141 |
Arts Television Questions of Culture | 158 |
Breakfast Television Infotainers at Daybreak | 175 |
Talk Shows Democratic Debates and Tabloid Tales | 198 |
Television Current Affairs The Case of Northern Ireland | 221 |
Television News The Case of the French Road Blockades | 236 |
| 253 | |
Programme Making Across Borders The Eurosud News Magazine | 94 |
Television Audiences | 113 |
Television Genres Borders and Flows | 135 |
| 269 | |
Autres éditions - Tout afficher
Television Across Europe: A Comparative Introduction Jan Wieten,Graham Murdock,Peter Dahlgren Affichage d'extraits - 2000 |
Expressions et termes fréquents
activities advertising affairs American analysis audience become breakfast breakfast television British broadcasting cable cent central channels chapter choice commercial communication companies comparative competition concept countries critical cultural digital television discussion diversity dominant drivers Dutch early economic Europe European example experience figures Finland format forms France French genres German global groups identity important increase individual interest interviews involved Ireland issues Italy kind language less live look magazine major means morning Northern offer operators organizations particular political popular presenters problems produced programme public service questions ratings reach recent regional relations reports result role satellite scheduling seen share situation social society stations structure studies style success suggests Table talk shows traditional University viewers viewing watching