Changuito: A Master's Approach to TimbalesAlfred Music Publishing, 1998 - 112 pages This text and audio package teaches timbales as played by the master percussionist Changuito. Topics include set-up, tuning, the clave, fills, independence exercises, listening recommendations, and a glossary of terms. Various styles are studied such as Danzon, Abanico, Cha-Cha-Cha, Mambo, Pilon, Mozambique, Merengsongo, Conga, 6/8 Rhythms, Timba, Songo, Laye, and Afro-Cuban. Examples on the recording are performed by Changuito. |
Table des matières
ACKNOWLEDGEMENTS | 8 |
A HISTORY OF THE PAILITAS CUBANASTHE TIMBALES | 18 |
A SHORT HISTORY OF THE COWBELL WITH TIMBALES | 25 |
5cDanzón Example 2 | 36 |
Expressions et termes fréquents
2-3 direction abanico Adding the Bass African Afro Afro-Cuban music Amadito bales basic bass drum Bell Mambo Bell bombo bongo bell CÁSCARA AND CLAVE cáscara pattern Cha-Cha Bell Cha-Cha Bell Mambo chachachá Changuito plays Cheverongo clave direction Compact Disc Track comparsa Conga Habanera contradanza cowbell cross stick Cuban music cymbal Dámaso Pérez Prado dance danza danzón developed downbeats drummers example feel groove Havana hembra pattern ideas important Independence Exercise Independence Solo instrument invented Listen Los Van Van Mambo Bell Compact Merensongo mouth and body mozambique mozambique bell mpact muffled hembra musical styles notation open hembra open sound open tone orquestas típicas Ortiz pailas pailero pailitas cubanas pattern with congas percussion percussionists phrase pilón playing the cáscara Practice slowly Preliminary Exercises rhythm rim shot RLRLRLLRLRLRLRLL rumba clave Santiago de Cuba shell Sobado song syncopated tern timbalero timbales tion Track Adding Track Disc Track Mambo Bell tumbao tympani typical