Harlem Renaissance, Volume 10Oxford University Press, 1971 - 343 pages An analysis of the black American cultural renaissance of the 1920's. Covers political figures, painters and sculptors, jazzmen and musical comedy. |
Table des matières
Introduction | 3 |
Capital of the Black World | 13 |
The New Negro | 52 |
Droits d'auteur | |
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Expressions et termes fréquents
Aaron Douglas achievement African Afro-American Alain Locke Ameri American culture American Negro audience Banjo beauty Bert Williams black intellectuals blackface blues Byron Carl Van Vechten century civilization claimed Claude McKay color conventional Countee Cullen Crisis critical dance decade doubt dream DuBois's ethnic theater European exotic experience fantasy Garvey's girl groes Hughes's human humor Hurston identity innocence Jake James Weldon Johnson jazz knew Langston Hughes Lasca literary literature live Marcus Garvey mask McKay's ment merely minstrel moral Negro art Negro artist Negro poet Negro writers never Nigger Heaven novel past patron performers play poems poetry political pretense primitive primitivism problem published race racial reader reality seemed self-consciousness sense sing slavery social songs soul southern spirituals stage stereotype story success talent theatrical thing thought tion tradition travesty ture W. E. B. DuBois Walker Wallace Thurman wanted white Americans women wrote York Zora