Mark Rothko, 1903-1970Tate Gallery, 1987 - 205 pages |
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Page 14
... Greenberg's high praise probably pleased Rothko , but little else in his essay would have . - In Greenberg's opinion , the purpose of Abstract Expressionism was to break the hold of Cubism , repudiating in particular its contrasts of ...
... Greenberg's high praise probably pleased Rothko , but little else in his essay would have . - In Greenberg's opinion , the purpose of Abstract Expressionism was to break the hold of Cubism , repudiating in particular its contrasts of ...
Page 20
... Greenberg , ' After Abstract Expressionism . ' Art International ( 25 October 1962 ) : 28 . 38 Newman objected to Greenberg's formalism as strongly as Rothko did . Greenberg considered Newman's work more radical that Rothko's because it ...
... Greenberg , ' After Abstract Expressionism . ' Art International ( 25 October 1962 ) : 28 . 38 Newman objected to Greenberg's formalism as strongly as Rothko did . Greenberg considered Newman's work more radical that Rothko's because it ...
Page 22
... Greenberg's efforts to place Abstract Expressionism in the modernist tradition of the very greatest pre - war painting from Paris , it dawned on many of Rothko's admirers that his dense seas of color might not have existed without the ...
... Greenberg's efforts to place Abstract Expressionism in the modernist tradition of the very greatest pre - war painting from Paris , it dawned on many of Rothko's admirers that his dense seas of color might not have existed without the ...
Table des matières
4917030 | 7 |
Notes on Rothko and Tradition Robert Rosenblum | 21 |
Reflections on the Rothko Exhibition Robert Goldwater | 32 |
Droits d'auteur | |
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Abstract Art Abstract Expressionism Abstract Expressionists abstract paintings Acrylic on paper Action Painting Adolph Gottlieb American Art archaic architectural Archives of American Barnett Newman Black on Maroon chapel Clement Greenberg color create Cubism developed Diane Waldman Dore Ashton edge emotions Estate of Mark exhibition catalogue experience expression figure Gallery of Art Gift Gottlieb and Rothko Greenberg Guggenheim exhibition Guggenheim Museum Hilton Kramer ibid idea illus legacy of Mark letter light Mark Rothko Foundation Matisse Modern Art Modern Artist Museum of Art Museum of Modern myths National Gallery Number objects Oil on canvas paint film painters Philip Johnson pictorial portrait Robert Goldwater Romantics Were Prompted Rothko and Gottlieb Rothko Foundation Inc Rothko's art Rothko's paintings Seagram seems Seitz sense shapes space spirit statements studio subject matter sublime surface Surrealist symbols symmetry Tate Gallery tradition tragic transcendental Untitled 1969 Acrylic viewer vision wall Washington York