Mark Rothko, 1903-1970Tate Gallery, 1987 - 205 pages |
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Page 73
... Seitz observed , ' the thing that tied his early figures , his symbolic things , and his late things together was the backgrounds . It was as if he had removed the figures or swirling calligraphy , symbols , etc. and simplified the ...
... Seitz observed , ' the thing that tied his early figures , his symbolic things , and his late things together was the backgrounds . It was as if he had removed the figures or swirling calligraphy , symbols , etc. and simplified the ...
Page 74
... Seitz to write the following as a direct quote : ' One does not paint for design students or historians but for human beings , and the reaction in human terms is the only thing that is really satisfactory to the artist . ' Transcript of ...
... Seitz to write the following as a direct quote : ' One does not paint for design students or historians but for human beings , and the reaction in human terms is the only thing that is really satisfactory to the artist . ' Transcript of ...
Page 75
... Seitz , 22 January 1952 . ibid . Two additional interviews took place on 25 March 1953 and 1 April the same year ( also on file at the Archives of American Art ) . Seitz incorporated some of the information from these interviews in ...
... Seitz , 22 January 1952 . ibid . Two additional interviews took place on 25 March 1953 and 1 April the same year ( also on file at the Archives of American Art ) . Seitz incorporated some of the information from these interviews in ...
Table des matières
4917030 | 7 |
Notes on Rothko and Tradition Robert Rosenblum | 21 |
Reflections on the Rothko Exhibition Robert Goldwater | 32 |
Droits d'auteur | |
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Expressions et termes fréquents
Abstract Art Abstract Expressionism Abstract Expressionists abstract paintings Acrylic on paper Action Painting Adolph Gottlieb American Art archaic architectural Archives of American Barnett Newman Black on Maroon chapel Clement Greenberg color create Cubism developed Diane Waldman Dore Ashton edge emotions Estate of Mark exhibition catalogue experience expression figure Gallery of Art Gift Gottlieb and Rothko Greenberg Guggenheim exhibition Guggenheim Museum Hilton Kramer ibid idea illus legacy of Mark letter light Mark Rothko Foundation Matisse Modern Art Modern Artist Museum of Art Museum of Modern myths National Gallery Number objects Oil on canvas paint film painters Philip Johnson pictorial portrait Robert Goldwater Romantics Were Prompted Rothko and Gottlieb Rothko Foundation Inc Rothko's art Rothko's paintings Seagram seems Seitz sense shapes space spirit statements studio subject matter sublime surface Surrealist symbols symmetry Tate Gallery tradition tragic transcendental Untitled 1969 Acrylic viewer vision wall Washington York