Mark Rothko, 1903-1970Tate Gallery, 1987 - 205 pages |
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Page 12
... color . ( Rothko was disposed toward expression through color early in his career ; during the thirties , he looked for inspiration to Matisse and Milton Avery when most other American vanguard artists venerated Picasso and Mondrian for ...
... color . ( Rothko was disposed toward expression through color early in his career ; during the thirties , he looked for inspiration to Matisse and Milton Avery when most other American vanguard artists venerated Picasso and Mondrian for ...
Page 22
... color alone . ( It may be more than a coincidence that MOMA acquired " The Red Studio ' in 1949. the very year in which Rothko achieved the full - scaled conviction of what was to become his signature format : tiered clouds of color ...
... color alone . ( It may be more than a coincidence that MOMA acquired " The Red Studio ' in 1949. the very year in which Rothko achieved the full - scaled conviction of what was to become his signature format : tiered clouds of color ...
Page 32
... color is his sole medium . In painting after painting of this exhibition there are handsome , surprising and disquieting harmonies , and supposedly difficult colors are made to work together with apparent ease . Rothko's concern over ...
... color is his sole medium . In painting after painting of this exhibition there are handsome , surprising and disquieting harmonies , and supposedly difficult colors are made to work together with apparent ease . Rothko's concern over ...
Table des matières
4917030 | 7 |
Notes on Rothko and Tradition Robert Rosenblum | 21 |
Reflections on the Rothko Exhibition Robert Goldwater | 32 |
Droits d'auteur | |
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Abstract Art Abstract Expressionism Abstract Expressionists abstract paintings Acrylic on paper Action Painting Adolph Gottlieb American Art archaic architectural Archives of American Barnett Newman Black on Maroon chapel Clement Greenberg color create Cubism developed Diane Waldman Dore Ashton edge emotions Estate of Mark exhibition catalogue experience expression figure Gallery of Art Gift Gottlieb and Rothko Greenberg Guggenheim exhibition Guggenheim Museum Hilton Kramer ibid idea illus legacy of Mark letter light Mark Rothko Foundation Matisse Modern Art Modern Artist Museum of Art Museum of Modern myths National Gallery Number objects Oil on canvas paint film painters Philip Johnson pictorial portrait Robert Goldwater Romantics Were Prompted Rothko and Gottlieb Rothko Foundation Inc Rothko's art Rothko's paintings Seagram seems Seitz sense shapes space spirit statements studio subject matter sublime surface Surrealist symbols symmetry Tate Gallery tradition tragic transcendental Untitled 1969 Acrylic viewer vision wall Washington York