Mark Rothko, 1903-1970Tate Gallery, 1987 - 205 pages |
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Page 22
... Studio ' could provide the most solid and beautiful touchstones for any artist who would explore the possibility of creating paintings from resonant color alone . ( It may be more than a coincidence that MOMA acquired " The Red Studio ...
... Studio ' could provide the most solid and beautiful touchstones for any artist who would explore the possibility of creating paintings from resonant color alone . ( It may be more than a coincidence that MOMA acquired " The Red Studio ...
Page 192
... studio converted to a scale mockup of the room . It was the first time that Rothko worked to develop a series of related paintings to be viewed as an ensemble . In all , he produced three ' sets ' of paintings , approximately thirty ...
... studio converted to a scale mockup of the room . It was the first time that Rothko worked to develop a series of related paintings to be viewed as an ensemble . In all , he produced three ' sets ' of paintings , approximately thirty ...
Page 196
... studio during this time , later wrote of Rothko's response : ' And it was from his observation of this classic " studio accident " that he conceived doing the last major series of paintings – the Black and Gray acrylics on canvas.'11 ...
... studio during this time , later wrote of Rothko's response : ' And it was from his observation of this classic " studio accident " that he conceived doing the last major series of paintings – the Black and Gray acrylics on canvas.'11 ...
Table des matières
4917030 | 7 |
Notes on Rothko and Tradition Robert Rosenblum | 21 |
Reflections on the Rothko Exhibition Robert Goldwater | 32 |
Droits d'auteur | |
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Expressions et termes fréquents
Abstract Art Abstract Expressionism Abstract Expressionists abstract paintings Acrylic on paper Action Painting Adolph Gottlieb American Art archaic architectural Archives of American Barnett Newman Black on Maroon chapel Clement Greenberg color create Cubism developed Diane Waldman Dore Ashton edge emotions Estate of Mark exhibition catalogue experience expression figure Gallery of Art Gift Gottlieb and Rothko Greenberg Guggenheim exhibition Guggenheim Museum Hilton Kramer ibid idea illus legacy of Mark letter light Mark Rothko Foundation Matisse Modern Art Modern Artist Museum of Art Museum of Modern myths National Gallery Number objects Oil on canvas paint film painters Philip Johnson pictorial portrait Robert Goldwater Romantics Were Prompted Rothko and Gottlieb Rothko Foundation Inc Rothko's art Rothko's paintings Seagram seems Seitz sense shapes space spirit statements studio subject matter sublime surface Surrealist symbols symmetry Tate Gallery tradition tragic transcendental Untitled 1969 Acrylic viewer vision wall Washington York