Mark Rothko, 1903-1970Tate Gallery, 1987 - 205 pages |
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Page 68
... symbols to transmit the emotions associated with ancient myths . Like many of his colleagues , Rothko was receptive to Carl Jung's theories on the collective unconscious and archetypes . His interest in myth , however , dates to the ...
... symbols to transmit the emotions associated with ancient myths . Like many of his colleagues , Rothko was receptive to Carl Jung's theories on the collective unconscious and archetypes . His interest in myth , however , dates to the ...
Page 73
... symbols , etc. and simplified the three toned- backgrounds.30 Rothko disagreed with Seitz , impressing on him his concept of the progression of his work : ' It was not that the figure had been removed , not that the figures had been ...
... symbols , etc. and simplified the three toned- backgrounds.30 Rothko disagreed with Seitz , impressing on him his concept of the progression of his work : ' It was not that the figure had been removed , not that the figures had been ...
Page 80
... symbols upon which we must fall back to express basic psychological ideas . They are the symbols of man's primitive fears and motivations , no matter in which land or what time , changing only in detail but never in substance , be they ...
... symbols upon which we must fall back to express basic psychological ideas . They are the symbols of man's primitive fears and motivations , no matter in which land or what time , changing only in detail but never in substance , be they ...
Table des matières
4917030 | 7 |
Notes on Rothko and Tradition Robert Rosenblum | 21 |
Reflections on the Rothko Exhibition Robert Goldwater | 32 |
Droits d'auteur | |
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Expressions et termes fréquents
Abstract Art Abstract Expressionism Abstract Expressionists abstract paintings Acrylic on paper Action Painting Adolph Gottlieb American Art archaic architectural Archives of American Barnett Newman Black on Maroon chapel Clement Greenberg color create Cubism developed Diane Waldman Dore Ashton edge emotions Estate of Mark exhibition catalogue experience expression figure Gallery of Art Gift Gottlieb and Rothko Greenberg Guggenheim exhibition Guggenheim Museum Hilton Kramer ibid idea illus legacy of Mark letter light Mark Rothko Foundation Matisse Modern Art Modern Artist Museum of Art Museum of Modern myths National Gallery Number objects Oil on canvas paint film painters Philip Johnson pictorial portrait Robert Goldwater Romantics Were Prompted Rothko and Gottlieb Rothko Foundation Inc Rothko's art Rothko's paintings Seagram seems Seitz sense shapes space spirit statements studio subject matter sublime surface Surrealist symbols symmetry Tate Gallery tradition tragic transcendental Untitled 1969 Acrylic viewer vision wall Washington York