Mark Rothko, 1903-1970Tate Gallery, 1987 - 205 pages |
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Page 35
... wall , and the shadow this projection casts , bringing them away from the wall , are essential to their unity . Their floating planes and indeterminate space demand isolation . In order to function they must be kept apart from actual ...
... wall , and the shadow this projection casts , bringing them away from the wall , are essential to their unity . Their floating planes and indeterminate space demand isolation . In order to function they must be kept apart from actual ...
Page 59
... wall colour and lighting . The walls should be made considerably off - white with umber and warmed by a little red . If the walls are too white they are always fighting against the pictures . . . . The light , whether natural or ...
... wall colour and lighting . The walls should be made considerably off - white with umber and warmed by a little red . If the walls are too white they are always fighting against the pictures . . . . The light , whether natural or ...
Page 62
... wall were evidently ' Sections ' 1 to 3. Between the two sets of three , Section 4 is only 94 inches wide , so , assuming that the numbering went round the room , there can have been only one painting on the short wall . The implication ...
... wall were evidently ' Sections ' 1 to 3. Between the two sets of three , Section 4 is only 94 inches wide , so , assuming that the numbering went round the room , there can have been only one painting on the short wall . The implication ...
Table des matières
4917030 | 7 |
Notes on Rothko and Tradition Robert Rosenblum | 21 |
Reflections on the Rothko Exhibition Robert Goldwater | 32 |
Droits d'auteur | |
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Expressions et termes fréquents
Abstract Art Abstract Expressionism Abstract Expressionists abstract paintings Acrylic on paper Action Painting Adolph Gottlieb American Art archaic architectural Archives of American Barnett Newman Black on Maroon chapel Clement Greenberg color create Cubism developed Diane Waldman Dore Ashton edge emotions Estate of Mark exhibition catalogue experience expression figure Gallery of Art Gift Gottlieb and Rothko Greenberg Guggenheim exhibition Guggenheim Museum Hilton Kramer ibid idea illus legacy of Mark letter light Mark Rothko Foundation Matisse Modern Art Modern Artist Museum of Art Museum of Modern myths National Gallery Number objects Oil on canvas paint film painters Philip Johnson pictorial portrait Robert Goldwater Romantics Were Prompted Rothko and Gottlieb Rothko Foundation Inc Rothko's art Rothko's paintings Seagram seems Seitz sense shapes space spirit statements studio subject matter sublime surface Surrealist symbols symmetry Tate Gallery tradition tragic transcendental Untitled 1969 Acrylic viewer vision wall Washington York