Screenwriting Poetics and the Screen IdeaSpringer, 30 oct. 2013 - 271 pages A new, original investigation into how screenwriting works; the practices, creative 'poetics' and texts that serve the screen idea. Using a range of film, media and creative theories, it includes new case studies on the successful ITV soap Emmerdale, Hitchcock's first major screenwriter and David Lean's unfinished film, Nostromo. |
Table des matières
The OrthodoxPoeticsof Screenwriting 4 The Real World and Screenwriting as Work | |
Emmerdale | |
EliotStannard 8 God Is in the Details The Text Object 9 The Poetics of the Screen Idea Nostromo | |
Screenwriting Studies | |
Appendices | |
Autres éditions - Tout afficher
Screenwriting Poetics and the Screen Idea I. MacDonald,Ian W. Macdonald Aucun aperçu disponible - 2013 |
Screenwriting Poetics and the Screen Idea I. MacDonald,Ian W. Macdonald Aucun aperçu disponible - 2013 |
Expressions et termes fréquents
Alexander Mackendrick analysis andthe approach atthe audience Barthes beliefs Bolt Bordwell Bourdieu British Film British Film Institute Brunel camera character Christopher Hampton Cinema collaboration construction conventional creative critical cultural David Lean Dennis Potter dialogue director discourse documents doxa draft dramatic Eliot Stannard Emmerdale episode example filmmaking focus framework Frensham fromthe genre Hampton Hitchcock Hollywood Idea Work Group individual individual’s industrial inthe involved isan Lean Lean’s Leeds Metropolitan University literary London Macdonald mainstream master scene McKee Michael Balcon montage norms Nostromo notes ofthe onthe orthodoxy Parker poetics principles production question refers Robert Bolt says screen idea screen idea development Screen IdeaWork Group screen narrative screenplay screenwork screenwriting sequence shooting script shot Skillset soap specific Sternberg story storyline storytelling structure suchas suggest television thatthe thescreen idea thestart threeact tobe tothe understanding Viola visual withthe writer