The classical movement in French literatureThe University Press, 1923 - 164 pages |
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Page v
... death of Richelieu was followed by a fresh outburst of disturbance and civil war , and by a wave of bad taste in literature , which threatened to submerge the gains of the previous years . It was time that another quality , which is ...
... death of Richelieu was followed by a fresh outburst of disturbance and civil war , and by a wave of bad taste in literature , which threatened to submerge the gains of the previous years . It was time that another quality , which is ...
Page 1
... death in 1610 there was peace within and without . The news of his murder was received with lamen- tation because of " the care which this prince had taken to make his people dwell at peace . " The calm which Henry and Sully achieved in ...
... death in 1610 there was peace within and without . The news of his murder was received with lamen- tation because of " the care which this prince had taken to make his people dwell at peace . " The calm which Henry and Sully achieved in ...
Page 13
... death in 1608 , defending him against Malherbe , especially in Satire IX , dedicated to Nicolas Rapin , advocate , poet and soldier , who is best known as one of the authors of the Satire Ménippée . SATIRE IX . Rapin , le favori d ...
... death in 1608 , defending him against Malherbe , especially in Satire IX , dedicated to Nicolas Rapin , advocate , poet and soldier , who is best known as one of the authors of the Satire Ménippée . SATIRE IX . Rapin , le favori d ...
Page 27
... death . We have 39 letters exchanged between them . In this particular passage from a letter of May or June , 1645 , Descartes discusses the bad effect upon health of an uncontrolled imagination . pourroient facilement luy opiler la ...
... death . We have 39 letters exchanged between them . In this particular passage from a letter of May or June , 1645 , Descartes discusses the bad effect upon health of an uncontrolled imagination . pourroient facilement luy opiler la ...
Page 54
... death of Malherbe ( 1628 ) , and both fully established as high courts of literature in the year ( 1637 ) which saw the appearance of the Discours de la Méthode and if not the production of the Cid , at any rate its early triumphs ...
... death of Malherbe ( 1628 ) , and both fully established as high courts of literature in the year ( 1637 ) which saw the appearance of the Discours de la Méthode and if not the production of the Cid , at any rate its early triumphs ...
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Expressions et termes fréquents
Academy action admirable anciens Andromaque Antoine Arnauld Antoine Godeau Aristotle avoient avoit bad taste beau beauté became began Boileau Boisrobert Bourdaloue Britannicus c'étoit century character characters choses classical cœur comedy connoissance Corneille Corneille's death Démosthène Descartes Despréaux Dieu dire disoit drama esprit estoit estre étoient étoit faisoit famous Fénelon first françois French friend gens Georges de Scudéry goût great Grèce Homère hommes Horace Hôtel de Rambouillet human nature interest Jesuit knowledge l'art L'École des Femmes l'esprit last letter letters life literary literature Malherbe médisance mesme Misanthrope Mlle Mme de Rambouillet modernes Molière Molière's Monsieur order ouvrages Pascal passions Perrault personne play poëme Poësie poëtes poetry pouvoit preached published quarrel Racan Racine raison reason representation rien same says scène Scudéry seroit seul siècle society study taste théâtre time tragédie tragic hero true truth verité vice whole work writer written wrote years
Fréquemment cités
Page 52 - The truth is that the spectators are always in their senses and know from the first act to the last that the stage is only a stage and that the players are only players.
Page 71 - Qu'on parle mal ou bien du fameux Cardinal, Ma prose ni mes vers n'en diront jamais rien : II m'a fait trop de bien pour en dire du mal, II m'a fait trop de mal pour en dire du bien.
Page 52 - Delusion, if delusion be admitted, has no certain limitation. If the spectator can be once persuaded that his old acquaintance are Alexander and Caesar, that a room illuminated with candles is the plain of Pharsalia, or the bank of Granicus, he is in a state of elevation above the reach of reason or of truth, and from the heights of empyrean poetry may despise the circumscriptions of terrestrial nature.
Page 115 - Car enfin, je trouve qu'il est bien plus aisé de se guinder sur de grands sentiments, de braver en vers la fortune, accuser les destins et dire des injures aux dieux , que d'entrer comme il faut dans le ridicule des hommes et de rendre agréablement sur le théâtre les défauts de tout le monde.
Page 135 - Quelques imitateurs, sot bétail, je l'avoue, Suivent en vrais moutons le pasteur de Mantoue. J'en use d'autre sorte; et, me laissant guider, Souvent à marcher seul j'ose me hasarder. On me verra toujours pratiquer cet usage. Mon imitation n'est point un esclavage : Je ne prends que l'idée, et les tours, et les lois Que nos maîtres suivaient eux-mêmes autrefois. Si d'ailleurs quelque endroit plein chez eux d'excellence...
Page 115 - Mais lorsque vous peignez les hommes, il faut peindre d'après nature ; on veut que ces portraits ressemblent, et vous n'avez rien fait si vous n'y faites reconnaître les gens de votre siècle.
Page 48 - Tragedy endeavours, as far as possible, to confine itself to a single revolution of the sun, or but slightly to exceed this limit; whereas the Epic action has no limits of time.
Page 15 - Prendre garde qu'un qui ne heurte une diphtongue ; Épier si des vers la rime est brève ou longue ; Ou bien si la voyelle, à l'autre s'unissant, Ne rend point à l'oreille un vers trop languissant.
Page 86 - ... se faire aimer des hommes ; ainsi la vie humaine n'est qu'une illusion perpétuelle. On ne fait que s'entretromper et s'entreflatter. Personne ne parle de nous en notre présence comme il en parle en notre absence; l'union qui est entre les hommes n'est fondée que sur cette mutuelle tromperie...
Page 52 - It is false, that any representation is mistaken for reality; that any dramatick fable in its materiality was ever credible, or, for a single moment, was ever credited.