Le Misanthrope, Moliere: Critical Monographs in English |
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Page 42
Three new characters are introduced : Acaste , Clitandre and Éliante . Molière has prepared for these arrivals with the scrupulous attention to detail that is a feature of the play .
Three new characters are introduced : Acaste , Clitandre and Éliante . Molière has prepared for these arrivals with the scrupulous attention to detail that is a feature of the play .
Page 45
The torrent of compliments from Célimène's admirers now reaches a crescendo : ACASTE Dieu me damne ! voilà son portrait véritable . CLITANDRE Pour bien peindre les gens vous êtes admirable ! ( 649-50 ) and we sense that the conversation ...
The torrent of compliments from Célimène's admirers now reaches a crescendo : ACASTE Dieu me damne ! voilà son portrait véritable . CLITANDRE Pour bien peindre les gens vous êtes admirable ! ( 649-50 ) and we sense that the conversation ...
Page 77
Scene 4 Acaste and Clitandre appear , but the action runs on without a break . Four lines suffice to establish the new alignment of characters . In an interesting inversion of the grouping in the first salon scene , Célimène is again ...
Scene 4 Acaste and Clitandre appear , but the action runs on without a break . Four lines suffice to establish the new alignment of characters . In an interesting inversion of the grouping in the first salon scene , Célimène is again ...
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Table des matières
Chapter One The Play and its History | 1 |
Chapter Two The Composition of the Play | 13 |
Commentary Act One | 25 |
Droits d'auteur | |
1 autres sections non affichées
Expressions et termes fréquents
Acaste action admirable Alceste Alceste's allows already anger appear arrival Arsinoé attack attempt attention begins behaviour bien bring C'est cause Célimène Célimène's central character Clitandre comedy comes comic completes Court criticism develop effect Éliante emotional expected expressed fact fait feelings femmes final follows force further gens given gives homme human idea important impression inevitable intended interpretation issue laughter leads less letter lines lover Madame manners matter Misanthrope Molière Molière's monde moral nature object offers opening original Oronte Oronte's pattern performance personne perspective Philinte Philinte's play play's plot portraits possible presented principles produces provides psychological qu'il qualities quarrel question reason recognise relationship reply resolved result ridicule rien role satire says scene seems seen sense sincerity situation social society speaking spectators speech stage suggests takes Tartuffe tout truth trying turn understandable witnessing