Le Misanthrope, Moliere: Critical Monographs in English |
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Page 17
At the centre of the play is the couple Alceste - Célimène . Around them are gathered the other characters in a series of groupings . Philinte is Alceste's friend , and also Eliante's suitor . Eliante is Célimène's cousin , and also ...
At the centre of the play is the couple Alceste - Célimène . Around them are gathered the other characters in a series of groupings . Philinte is Alceste's friend , and also Eliante's suitor . Eliante is Célimène's cousin , and also ...
Page 54
In a society riven by vanity and obsessed by appearances , Célimène's jibe at her adversary's age is a wounding attack . ... But in a subtle way it also suggests that Célimène has employed a double - edged weapon .
In a society riven by vanity and obsessed by appearances , Célimène's jibe at her adversary's age is a wounding attack . ... But in a subtle way it also suggests that Célimène has employed a double - edged weapon .
Page 55
( 999-1000 ) Once again ( cf. her reaction to the taunt about her age ) , Arsinoé's initial response is to affect scorn and pity for Célimène ( 1001-1002 ) . It is a weak and unconvincing reply , and we sense that the advantage is now ...
( 999-1000 ) Once again ( cf. her reaction to the taunt about her age ) , Arsinoé's initial response is to affect scorn and pity for Célimène ( 1001-1002 ) . It is a weak and unconvincing reply , and we sense that the advantage is now ...
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Table des matières
Chapter One The Play and its History | 1 |
Chapter Two The Composition of the Play | 13 |
Commentary Act One | 25 |
Droits d'auteur | |
1 autres sections non affichées
Expressions et termes fréquents
Acaste action admirable Alceste Alceste's allows already anger appear arrival Arsinoé attack attempt attention begins behaviour bien bring C'est cause Célimène Célimène's central character Clitandre comedy comes comic completes Court criticism develop effect Éliante emotional expected expressed fact fait feelings femmes final follows force further gens given gives homme human idea important impression inevitable intended interpretation issue laughter leads less letter lines lover Madame manners matter Misanthrope Molière Molière's monde moral nature object offers opening original Oronte Oronte's pattern performance personne perspective Philinte Philinte's play play's plot portraits possible presented principles produces provides psychological qu'il qualities quarrel question reason recognise relationship reply resolved result ridicule rien role satire says scene seems seen sense sincerity situation social society speaking spectators speech stage suggests takes Tartuffe tout truth trying turn understandable witnessing