Le Misanthrope, Moliere: Critical Monographs in English |
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Page 15
At a stroke , he singles himself out not by his admirable ideas but by his bizarrerie . He becomes peevish , petulant , humourless , an object of curiosity and derision . In the context of seventeenth - century honnêteté , Alceste's ...
At a stroke , he singles himself out not by his admirable ideas but by his bizarrerie . He becomes peevish , petulant , humourless , an object of curiosity and derision . In the context of seventeenth - century honnêteté , Alceste's ...
Page 28
However , it is when Philinte challenges him with some test cases that we become fully aware of both the real impossibility and the comic potential of Alceste's ' admirable ' stance . He enquires whether Alceste is prepared to break it ...
However , it is when Philinte challenges him with some test cases that we become fully aware of both the real impossibility and the comic potential of Alceste's ' admirable ' stance . He enquires whether Alceste is prepared to break it ...
Page 45
CLITANDRE Pour bien peindre les gens vous êtes admirable ! ( 649-50 ) and we sense that the conversation has reached some kind of plateau . This supplies the cue for Alceste to step in . Although Alceste is visibly irritated , his first ...
CLITANDRE Pour bien peindre les gens vous êtes admirable ! ( 649-50 ) and we sense that the conversation has reached some kind of plateau . This supplies the cue for Alceste to step in . Although Alceste is visibly irritated , his first ...
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Table des matières
Chapter One The Play and its History | 1 |
Chapter Two The Composition of the Play | 13 |
Commentary Act One | 25 |
Droits d'auteur | |
1 autres sections non affichées
Expressions et termes fréquents
Acaste action admirable Alceste Alceste's allows already anger appear arrival Arsinoé attack attempt attention begins behaviour bien bring C'est cause Célimène Célimène's central character Clitandre comedy comes comic completes Court criticism develop effect Éliante emotional expected expressed fact fait feelings femmes final follows force further gens given gives homme human idea important impression inevitable intended interpretation issue laughter leads less letter lines lover Madame manners matter Misanthrope Molière Molière's monde moral nature object offers opening original Oronte Oronte's pattern performance personne perspective Philinte Philinte's play play's plot portraits possible presented principles produces provides psychological qu'il qualities quarrel question reason recognise relationship reply resolved result ridicule rien role satire says scene seems seen sense sincerity situation social society speaking spectators speech stage suggests takes Tartuffe tout truth trying turn understandable witnessing