Le Misanthrope, Moliere: Critical Monographs in English |
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Page 15
Although different characters and motifs hold our attention at successive moments , they interlace in an intricate way and eventually merge into one indissoluble subject . The 15 The structure and unity of the play.
Although different characters and motifs hold our attention at successive moments , they interlace in an intricate way and eventually merge into one indissoluble subject . The 15 The structure and unity of the play.
Page 17
Our attention is constantly shifting from one set of characters to another as the groupings form , dissolve and re - form like a rondo . The action grows out of this network of friendships and rivalries . - a Plot The plot is so slight ...
Our attention is constantly shifting from one set of characters to another as the groupings form , dissolve and re - form like a rondo . The action grows out of this network of friendships and rivalries . - a Plot The plot is so slight ...
Page 43
Clitandre's opening words , with the attention - seeking ' parbleu ' and ' je viens du Louvre ' , serve also to mark the character of a vain and empty - headed courtier . In a group of rivals obsessed with nuances of social distinction ...
Clitandre's opening words , with the attention - seeking ' parbleu ' and ' je viens du Louvre ' , serve also to mark the character of a vain and empty - headed courtier . In a group of rivals obsessed with nuances of social distinction ...
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Table des matières
Chapter One The Play and its History | 1 |
Chapter Two The Composition of the Play | 13 |
Commentary Act One | 25 |
Droits d'auteur | |
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Expressions et termes fréquents
Acaste action admirable Alceste Alceste's allows already anger appear arrival Arsinoé attack attempt attention begins behaviour bien bring C'est cause Célimène Célimène's central character Clitandre comedy comes comic completes Court criticism develop effect Éliante emotional expected expressed fact fait feelings femmes final follows force further gens given gives homme human idea important impression inevitable intended interpretation issue laughter leads less letter lines lover Madame manners matter Misanthrope Molière Molière's monde moral nature object offers opening original Oronte Oronte's pattern performance personne perspective Philinte Philinte's play play's plot portraits possible presented principles produces provides psychological qu'il qualities quarrel question reason recognise relationship reply resolved result ridicule rien role satire says scene seems seen sense sincerity situation social society speaking spectators speech stage suggests takes Tartuffe tout truth trying turn understandable witnessing