Le Misanthrope, Moliere: Critical Monographs in English |
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Page 15
One begins to see why critics such as Bray have questioned the whole notion of Molière motivated by a clearly defined polemical stance . In Le Misanthrope he gives us the awkward ( for some ) proposition of an advocate for sincerity ...
One begins to see why critics such as Bray have questioned the whole notion of Molière motivated by a clearly defined polemical stance . In Le Misanthrope he gives us the awkward ( for some ) proposition of an advocate for sincerity ...
Page 27
The discussion begins with a statement of principle : Je veux qu'on soit sincère , et qu'en homme d'honneur , On ne lâche aucun mot qui ne parte du coeur . ( 35-6 ) On the face of it this might seem an admirable ideal .
The discussion begins with a statement of principle : Je veux qu'on soit sincère , et qu'en homme d'honneur , On ne lâche aucun mot qui ne parte du coeur . ( 35-6 ) On the face of it this might seem an admirable ideal .
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Alceste begins his attempt to settle matters with Célimène with the prophetic statement : ' Tôt ou tard nous romprons indubitablement ' ( 452 ) . Structurally , the scene completes a sequence of three complementary episodes each of ...
Alceste begins his attempt to settle matters with Célimène with the prophetic statement : ' Tôt ou tard nous romprons indubitablement ' ( 452 ) . Structurally , the scene completes a sequence of three complementary episodes each of ...
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Table des matières
Chapter One The Play and its History | 1 |
Chapter Two The Composition of the Play | 13 |
Commentary Act One | 25 |
Droits d'auteur | |
1 autres sections non affichées
Expressions et termes fréquents
Acaste action admirable Alceste Alceste's allows already anger appear arrival Arsinoé attack attempt attention begins behaviour bien bring C'est cause Célimène Célimène's central character Clitandre comedy comes comic completes Court criticism develop effect Éliante emotional expected expressed fact fait feelings femmes final follows force further gens given gives homme human idea important impression inevitable intended interpretation issue laughter leads less letter lines lover Madame manners matter Misanthrope Molière Molière's monde moral nature object offers opening original Oronte Oronte's pattern performance personne perspective Philinte Philinte's play play's plot portraits possible presented principles produces provides psychological qu'il qualities quarrel question reason recognise relationship reply resolved result ridicule rien role satire says scene seems seen sense sincerity situation social society speaking spectators speech stage suggests takes Tartuffe tout truth trying turn understandable witnessing