Le Misanthrope, Moliere: Critical Monographs in English |
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Page 29
fades ' ( 101 ) -anticipates the high - minded disapproval of frivolity which will bring him into conflict with Oronte . Molière now engages Philinte in longer and more reasoned arguments in favour of ( a ) making allowance for human ...
fades ' ( 101 ) -anticipates the high - minded disapproval of frivolity which will bring him into conflict with Oronte . Molière now engages Philinte in longer and more reasoned arguments in favour of ( a ) making allowance for human ...
Page 47
But it takes only a subtle shift of emphasis by Célimène to bring out its absurdity . Her observation that for Alceste ' bien injurier les personnes qu'on aime ' is the highest mark of love is but the merest distortion of the truth .
But it takes only a subtle shift of emphasis by Célimène to bring out its absurdity . Her observation that for Alceste ' bien injurier les personnes qu'on aime ' is the highest mark of love is but the merest distortion of the truth .
Page 70
( It will be the business of the dénouement to bring new information to light to break the impasse . ) For that reason , their dispute is not resolved but brought to a halt by the arrival of du Bois .
( It will be the business of the dénouement to bring new information to light to break the impasse . ) For that reason , their dispute is not resolved but brought to a halt by the arrival of du Bois .
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Table des matières
Chapter One The Play and its History | 1 |
Chapter Two The Composition of the Play | 13 |
Commentary Act One | 25 |
Droits d'auteur | |
1 autres sections non affichées
Expressions et termes fréquents
Acaste action admirable Alceste Alceste's allows already anger appear arrival Arsinoé attack attempt attention begins behaviour bien bring C'est cause Célimène Célimène's central character Clitandre comedy comes comic completes Court criticism develop effect Éliante emotional expected expressed fact fait feelings femmes final follows force further gens given gives homme human idea important impression inevitable intended interpretation issue laughter leads less letter lines lover Madame manners matter Misanthrope Molière Molière's monde moral nature object offers opening original Oronte Oronte's pattern performance personne perspective Philinte Philinte's play play's plot portraits possible presented principles produces provides psychological qu'il qualities quarrel question reason recognise relationship reply resolved result ridicule rien role satire says scene seems seen sense sincerity situation social society speaking spectators speech stage suggests takes Tartuffe tout truth trying turn understandable witnessing