Le Misanthrope, Moliere: Critical Monographs in English |
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Page 18
Often the result is the opposite of that intended . ( Arsinoé's disclosure to Alceste of Célimène's letter to Oronte has the effect of provoking Alceste to propose to Éliante ! ) . Or the effect is disproportionate to the cause .
Often the result is the opposite of that intended . ( Arsinoé's disclosure to Alceste of Célimène's letter to Oronte has the effect of provoking Alceste to propose to Éliante ! ) . Or the effect is disproportionate to the cause .
Page 32
Now he suddenly finds himself confronting the living embodiment of the cause of his bile , in the person of Oronte . The result is that both dramatically and comically the action shifts to a higher gear .
Now he suddenly finds himself confronting the living embodiment of the cause of his bile , in the person of Oronte . The result is that both dramatically and comically the action shifts to a higher gear .
Page 54
As the last line quoted above implies , the real cause of Arsinoé's dépit is her failure with men . Having uncovered her most vulnerable weakness , Célimène turns the knife in the wound ( 995-8 ) , and ends by throwing down the gauntlet ...
As the last line quoted above implies , the real cause of Arsinoé's dépit is her failure with men . Having uncovered her most vulnerable weakness , Célimène turns the knife in the wound ( 995-8 ) , and ends by throwing down the gauntlet ...
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Table des matières
Chapter One The Play and its History | 1 |
Chapter Two The Composition of the Play | 13 |
Commentary Act One | 25 |
Droits d'auteur | |
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Expressions et termes fréquents
Acaste action admirable Alceste Alceste's allows already anger appear arrival Arsinoé attack attempt attention begins behaviour bien bring C'est cause Célimène Célimène's central character Clitandre comedy comes comic completes Court criticism develop effect Éliante emotional expected expressed fact fait feelings femmes final follows force further gens given gives homme human idea important impression inevitable intended interpretation issue laughter leads less letter lines lover Madame manners matter Misanthrope Molière Molière's monde moral nature object offers opening original Oronte Oronte's pattern performance personne perspective Philinte Philinte's play play's plot portraits possible presented principles produces provides psychological qu'il qualities quarrel question reason recognise relationship reply resolved result ridicule rien role satire says scene seems seen sense sincerity situation social society speaking spectators speech stage suggests takes Tartuffe tout truth trying turn understandable witnessing