Le Misanthrope, Moliere: Critical Monographs in English |
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Page 7
A perennial question is whether Alceste himself is a comic character , and if so , what sort of comic character . It is here that critical opinion is most divided . If most commentators feel that there is something ridiculous in ...
A perennial question is whether Alceste himself is a comic character , and if so , what sort of comic character . It is here that critical opinion is most divided . If most commentators feel that there is something ridiculous in ...
Page 19
Characters ' Character ' is a difficult concept to delimit in Molière's theatre . It is true that one of his greatest artistic achievements is to have created compelling illusions of character . But of course these are not real people ...
Characters ' Character ' is a difficult concept to delimit in Molière's theatre . It is true that one of his greatest artistic achievements is to have created compelling illusions of character . But of course these are not real people ...
Page 26
... since his comic formula depends heavily on the presence of a character , and a set of attitudes embodied in a character , as opposed to depending , say , on the convoluted plots of comedies of ' intrigue ' .
... since his comic formula depends heavily on the presence of a character , and a set of attitudes embodied in a character , as opposed to depending , say , on the convoluted plots of comedies of ' intrigue ' .
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Table des matières
Chapter One The Play and its History | 1 |
Chapter Two The Composition of the Play | 13 |
Commentary Act One | 25 |
Droits d'auteur | |
1 autres sections non affichées
Expressions et termes fréquents
Acaste action admirable Alceste Alceste's allows already anger appear arrival Arsinoé attack attempt attention begins behaviour bien bring C'est cause Célimène Célimène's central character Clitandre comedy comes comic completes Court criticism develop effect Éliante emotional expected expressed fact fait feelings femmes final follows force further gens given gives homme human idea important impression inevitable intended interpretation issue laughter leads less letter lines lover Madame manners matter Misanthrope Molière Molière's monde moral nature object offers opening original Oronte Oronte's pattern performance personne perspective Philinte Philinte's play play's plot portraits possible presented principles produces provides psychological qu'il qualities quarrel question reason recognise relationship reply resolved result ridicule rien role satire says scene seems seen sense sincerity situation social society speaking spectators speech stage suggests takes Tartuffe tout truth trying turn understandable witnessing