Le Misanthrope, Moliere: Critical Monographs in English |
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Page 31
Looking back over the first scene , we are in possession of all the data -social and moral themes , characterisation , and the material for a dramatic action — which the play will develop . A psychological causality has been established ...
Looking back over the first scene , we are in possession of all the data -social and moral themes , characterisation , and the material for a dramatic action — which the play will develop . A psychological causality has been established ...
Page 49
The third act , as is commonly the case , can therefore afford to leave the intrigue in suspension and develop subsidiary complications . This is also the natural point at which to introduce the last significant character , Arsinoé .
The third act , as is commonly the case , can therefore afford to leave the intrigue in suspension and develop subsidiary complications . This is also the natural point at which to introduce the last significant character , Arsinoé .
Page 57
On this occasion , aided by Arsinoé's slowness to see how disagreeable it is , Molière allows the discussion to develop into an extended tirade against Court life ( 1081-98 ) . This builds on Alceste's original criticisms of society in ...
On this occasion , aided by Arsinoé's slowness to see how disagreeable it is , Molière allows the discussion to develop into an extended tirade against Court life ( 1081-98 ) . This builds on Alceste's original criticisms of society in ...
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Table des matières
Chapter One The Play and its History | 1 |
Chapter Two The Composition of the Play | 13 |
Commentary Act One | 25 |
Droits d'auteur | |
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Expressions et termes fréquents
Acaste action admirable Alceste Alceste's allows already anger appear arrival Arsinoé attack attempt attention begins behaviour bien bring C'est cause Célimène Célimène's central character Clitandre comedy comes comic completes Court criticism develop effect Éliante emotional expected expressed fact fait feelings femmes final follows force further gens given gives homme human idea important impression inevitable intended interpretation issue laughter leads less letter lines lover Madame manners matter Misanthrope Molière Molière's monde moral nature object offers opening original Oronte Oronte's pattern performance personne perspective Philinte Philinte's play play's plot portraits possible presented principles produces provides psychological qu'il qualities quarrel question reason recognise relationship reply resolved result ridicule rien role satire says scene seems seen sense sincerity situation social society speaking spectators speech stage suggests takes Tartuffe tout truth trying turn understandable witnessing