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Page 18
Often the result is the opposite of that intended . ( Arsinoé's disclosure to Alceste of Célimène's letter to Oronte has the effect of provoking Alceste to propose to Éliante ! ) . Or the effect is disproportionate to the cause .
Often the result is the opposite of that intended . ( Arsinoé's disclosure to Alceste of Célimène's letter to Oronte has the effect of provoking Alceste to propose to Éliante ! ) . Or the effect is disproportionate to the cause .
Page 41
The effect this time is to produces a brief comedy of indecision when Alceste turns on his heels to go , refuses Célimène's appeal for him to stay , then finally remains to sulk . De Visé's account ( 1 , p . 435 ) suggests that in the ...
The effect this time is to produces a brief comedy of indecision when Alceste turns on his heels to go , refuses Célimène's appeal for him to stay , then finally remains to sulk . De Visé's account ( 1 , p . 435 ) suggests that in the ...
Page 44
Its effect , however , is to allow Célimène to cap it with a witty riposte : ' Oui , mais je voudrais qu'il ne s'y servît pas . ' Philinte's intervention — ' On fait assez de cas de son oncle Damis ' ( 631 ) —is intended in the same ...
Its effect , however , is to allow Célimène to cap it with a witty riposte : ' Oui , mais je voudrais qu'il ne s'y servît pas . ' Philinte's intervention — ' On fait assez de cas de son oncle Damis ' ( 631 ) —is intended in the same ...
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Table des matières
Chapter One The Play and its History | 1 |
Chapter Two The Composition of the Play | 13 |
Commentary Act One | 25 |
Droits d'auteur | |
1 autres sections non affichées
Expressions et termes fréquents
Acaste action admirable Alceste Alceste's allows already anger appear arrival Arsinoé attack attempt attention begins behaviour bien bring C'est cause Célimène Célimène's central character Clitandre comedy comes comic completes Court criticism develop effect Éliante emotional expected expressed fact fait feelings femmes final follows force further gens given gives homme human idea important impression inevitable intended interpretation issue laughter leads less letter lines lover Madame manners matter Misanthrope Molière Molière's monde moral nature object offers opening original Oronte Oronte's pattern performance personne perspective Philinte Philinte's play play's plot portraits possible presented principles produces provides psychological qu'il qualities quarrel question reason recognise relationship reply resolved result ridicule rien role satire says scene seems seen sense sincerity situation social society speaking spectators speech stage suggests takes Tartuffe tout truth trying turn understandable witnessing