Le Misanthrope, Moliere: Critical Monographs in English |
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Page 2
... together with stock items from Molière's own repertoire : Les Précieuses ridicules , Les Fâcheux , L'Amour médecin , L'Ecole des maris and Le Cocu imaginaire . At this stage in his career Molière could not be expected to supply all ...
... together with stock items from Molière's own repertoire : Les Précieuses ridicules , Les Fâcheux , L'Amour médecin , L'Ecole des maris and Le Cocu imaginaire . At this stage in his career Molière could not be expected to supply all ...
Page 3
As a result , a play whose subject matter might have been expected to hold special appeal for the King had to open without a royal presence . It has been plausibly suggested that this may have prejudiced the success of the new play ...
As a result , a play whose subject matter might have been expected to hold special appeal for the King had to open without a royal presence . It has been plausibly suggested that this may have prejudiced the success of the new play ...
Page 35
This time there can be no possible ambiguity about where Molière expected his audience to stand : the verse may be pleasant enough , but Philinte's amusement ( 414 ) shows that its old - fashioned rusticity make ...
This time there can be no possible ambiguity about where Molière expected his audience to stand : the verse may be pleasant enough , but Philinte's amusement ( 414 ) shows that its old - fashioned rusticity make ...
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Table des matières
Chapter One The Play and its History | 1 |
Chapter Two The Composition of the Play | 13 |
Commentary Act One | 25 |
Droits d'auteur | |
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Expressions et termes fréquents
Acaste action admirable Alceste Alceste's allows already anger appear arrival Arsinoé attack attempt attention begins behaviour bien bring C'est cause Célimène Célimène's central character Clitandre comedy comes comic completes Court criticism develop effect Éliante emotional expected expressed fact fait feelings femmes final follows force further gens given gives homme human idea important impression inevitable intended interpretation issue laughter leads less letter lines lover Madame manners matter Misanthrope Molière Molière's monde moral nature object offers opening original Oronte Oronte's pattern performance personne perspective Philinte Philinte's play play's plot portraits possible presented principles produces provides psychological qu'il qualities quarrel question reason recognise relationship reply resolved result ridicule rien role satire says scene seems seen sense sincerity situation social society speaking spectators speech stage suggests takes Tartuffe tout truth trying turn understandable witnessing