Le Misanthrope, Moliere: Critical Monographs in English |
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Page 49
In fact , it is not a casual social call . She has come for a precise reason , which is obviously not the one she offers to Célimène ( concern for her friend's reputation ) , nor yet the one which the audience quickly discerns behind ...
In fact , it is not a casual social call . She has come for a precise reason , which is obviously not the one she offers to Célimène ( concern for her friend's reputation ) , nor yet the one which the audience quickly discerns behind ...
Page 54
Its cruelty is only excused by the fact that Arsinoé has invited it . The latter's reply — ' Certes , vous vous targuez d'un bien faible avantage ' ( 985 ) —may seem feeble . All it amounts to is an unconvincing attempt to deny the ...
Its cruelty is only excused by the fact that Arsinoé has invited it . The latter's reply — ' Certes , vous vous targuez d'un bien faible avantage ' ( 985 ) —may seem feeble . All it amounts to is an unconvincing attempt to deny the ...
Page 87
In fact , of course , there is no such thing as an objective or neutral interpretation of this or any other play . Each reader , or director , will put his or her own slant on the characters and find different patterns of meaning in the ...
In fact , of course , there is no such thing as an objective or neutral interpretation of this or any other play . Each reader , or director , will put his or her own slant on the characters and find different patterns of meaning in the ...
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Table des matières
Chapter One The Play and its History | 1 |
Chapter Two The Composition of the Play | 13 |
Commentary Act One | 25 |
Droits d'auteur | |
1 autres sections non affichées
Expressions et termes fréquents
Acaste action admirable Alceste Alceste's allows already anger appear arrival Arsinoé attack attempt attention begins behaviour bien bring C'est cause Célimène Célimène's central character Clitandre comedy comes comic completes Court criticism develop effect Éliante emotional expected expressed fact fait feelings femmes final follows force further gens given gives homme human idea important impression inevitable intended interpretation issue laughter leads less letter lines lover Madame manners matter Misanthrope Molière Molière's monde moral nature object offers opening original Oronte Oronte's pattern performance personne perspective Philinte Philinte's play play's plot portraits possible presented principles produces provides psychological qu'il qualities quarrel question reason recognise relationship reply resolved result ridicule rien role satire says scene seems seen sense sincerity situation social society speaking spectators speech stage suggests takes Tartuffe tout truth trying turn understandable witnessing