Le Misanthrope, Moliere: Critical Monographs in English |
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Page 4
So many special factors intervene ( holidays , seasonal variations in patterns of theatregoing , etc. ) that direct comparison with other plays is difficult . However , the facts are as follows : during its initial solo run between 4 ...
So many special factors intervene ( holidays , seasonal variations in patterns of theatregoing , etc. ) that direct comparison with other plays is difficult . However , the facts are as follows : during its initial solo run between 4 ...
Page 13
One way to account for the play , I suggest , is to reason as follows : 1 ) To begin with , we should think of Le Misanthrope not primarily as a comedy of a character - type , like L'Avare or Le Malade imaginaire , but as a comedy of ...
One way to account for the play , I suggest , is to reason as follows : 1 ) To begin with , we should think of Le Misanthrope not primarily as a comedy of a character - type , like L'Avare or Le Malade imaginaire , but as a comedy of ...
Page 35
What follows - his scornful reading of lines from the sonnet and his critical comments — is all the more offensive to Oronte for being so dismissively offhand : ' ce n'est que jeux de mots , qu'affectation pure ' ( 387 ) .
What follows - his scornful reading of lines from the sonnet and his critical comments — is all the more offensive to Oronte for being so dismissively offhand : ' ce n'est que jeux de mots , qu'affectation pure ' ( 387 ) .
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Table des matières
Chapter One The Play and its History | 1 |
Chapter Two The Composition of the Play | 13 |
Commentary Act One | 25 |
Droits d'auteur | |
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Expressions et termes fréquents
Acaste action admirable Alceste Alceste's allows already anger appear arrival Arsinoé attack attempt attention begins behaviour bien bring C'est cause Célimène Célimène's central character Clitandre comedy comes comic completes Court criticism develop effect Éliante emotional expected expressed fact fait feelings femmes final follows force further gens given gives homme human idea important impression inevitable intended interpretation issue laughter leads less letter lines lover Madame manners matter Misanthrope Molière Molière's monde moral nature object offers opening original Oronte Oronte's pattern performance personne perspective Philinte Philinte's play play's plot portraits possible presented principles produces provides psychological qu'il qualities quarrel question reason recognise relationship reply resolved result ridicule rien role satire says scene seems seen sense sincerity situation social society speaking spectators speech stage suggests takes Tartuffe tout truth trying turn understandable witnessing