Le Misanthrope, Moliere: Critical Monographs in English |
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Page 11
Hence : ' L'intention de Molière , la pensée qui donne à son œuvre la force et l'unité , ce n'est pas une pensée de moraliste , c'est une intention d'artiste . [ ... ] Quand il peint Tartuffe ou Dom Juan , le poète cherche non pas à ...
Hence : ' L'intention de Molière , la pensée qui donne à son œuvre la force et l'unité , ce n'est pas une pensée de moraliste , c'est une intention d'artiste . [ ... ] Quand il peint Tartuffe ou Dom Juan , le poète cherche non pas à ...
Page 65
Looking at the scene in more detail , we can see how Molière derives a highly dramatic rhythmical structure from the psychological forces at play , and the extremely subtle blend of pathos and ridicule that it achieves .
Looking at the scene in more detail , we can see how Molière derives a highly dramatic rhythmical structure from the psychological forces at play , and the extremely subtle blend of pathos and ridicule that it achieves .
Page 73
In terms of dramatic impact , as the foregoing outline suggests , it is a technical tour de force . As for the uncertainty surrounding the final image , about which more will be said later , surely it is the only realistic outcome to an ...
In terms of dramatic impact , as the foregoing outline suggests , it is a technical tour de force . As for the uncertainty surrounding the final image , about which more will be said later , surely it is the only realistic outcome to an ...
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Table des matières
Chapter One The Play and its History | 1 |
Chapter Two The Composition of the Play | 13 |
Commentary Act One | 25 |
Droits d'auteur | |
1 autres sections non affichées
Expressions et termes fréquents
Acaste action admirable Alceste Alceste's allows already anger appear arrival Arsinoé attack attempt attention begins behaviour bien bring C'est cause Célimène Célimène's central character Clitandre comedy comes comic completes Court criticism develop effect Éliante emotional expected expressed fact fait feelings femmes final follows force further gens given gives homme human idea important impression inevitable intended interpretation issue laughter leads less letter lines lover Madame manners matter Misanthrope Molière Molière's monde moral nature object offers opening original Oronte Oronte's pattern performance personne perspective Philinte Philinte's play play's plot portraits possible presented principles produces provides psychological qu'il qualities quarrel question reason recognise relationship reply resolved result ridicule rien role satire says scene seems seen sense sincerity situation social society speaking spectators speech stage suggests takes Tartuffe tout truth trying turn understandable witnessing