Le Misanthrope, Moliere: Critical Monographs in English |
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But it is important , too , to begin by recognising that the play is not a dramatisation of a moral thesis . It is , before anything else , a work of theatre . The aim of this study , therefore , like that of the companion volume by ...
But it is important , too , to begin by recognising that the play is not a dramatisation of a moral thesis . It is , before anything else , a work of theatre . The aim of this study , therefore , like that of the companion volume by ...
Page 23
The text does not tell us how old Arsinoé is , but the question is an important one for the tone of her role and for her relationship with other characters . It is hard to reconcile the idea of a possible match with Alceste if she is a ...
The text does not tell us how old Arsinoé is , but the question is an important one for the tone of her role and for her relationship with other characters . It is hard to reconcile the idea of a possible match with Alceste if she is a ...
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Molière , the former is generally more important than the latter , since his comic formula depends heavily on the presence of a character , and a set of attitudes embodied in a character , as opposed to depending , say , on the ...
Molière , the former is generally more important than the latter , since his comic formula depends heavily on the presence of a character , and a set of attitudes embodied in a character , as opposed to depending , say , on the ...
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Table des matières
Chapter One The Play and its History | 1 |
Chapter Two The Composition of the Play | 13 |
Commentary Act One | 25 |
Droits d'auteur | |
1 autres sections non affichées
Expressions et termes fréquents
Acaste action admirable Alceste Alceste's allows already anger appear arrival Arsinoé attack attempt attention begins behaviour bien bring C'est cause Célimène Célimène's central character Clitandre comedy comes comic completes Court criticism develop effect Éliante emotional expected expressed fact fait feelings femmes final follows force further gens given gives homme human idea important impression inevitable intended interpretation issue laughter leads less letter lines lover Madame manners matter Misanthrope Molière Molière's monde moral nature object offers opening original Oronte Oronte's pattern performance personne perspective Philinte Philinte's play play's plot portraits possible presented principles produces provides psychological qu'il qualities quarrel question reason recognise relationship reply resolved result ridicule rien role satire says scene seems seen sense sincerity situation social society speaking spectators speech stage suggests takes Tartuffe tout truth trying turn understandable witnessing