Le Misanthrope, Moliere: Critical Monographs in English |
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Page 17
Both these issues are important dramatic motifs but they seem to me to be subsumed in the central issue which , as I have suggested , is Alceste's relationship with Célimène and his relationship with society as a whole .
Both these issues are important dramatic motifs but they seem to me to be subsumed in the central issue which , as I have suggested , is Alceste's relationship with Célimène and his relationship with society as a whole .
Page 72
... the long - running quarrel with Oronte ) are made to converge and are brought to bear to force a resolution to the central issue ( i.e. the now inseparable matters of Alceste's misanthropy , and his relationship with Célimène ) .
... the long - running quarrel with Oronte ) are made to converge and are brought to bear to force a resolution to the central issue ( i.e. the now inseparable matters of Alceste's misanthropy , and his relationship with Célimène ) .
Page 73
The secondary characters withdraw , leaving the protagonists to resolve the central issue . Still Molière prolongs the uncertainty . Instead of the exploding in rage , Alceste forgives Célimène , ( second coup de théâtre ) .
The secondary characters withdraw , leaving the protagonists to resolve the central issue . Still Molière prolongs the uncertainty . Instead of the exploding in rage , Alceste forgives Célimène , ( second coup de théâtre ) .
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Table des matières
Chapter One The Play and its History | 1 |
Chapter Two The Composition of the Play | 13 |
Commentary Act One | 25 |
Droits d'auteur | |
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Expressions et termes fréquents
Acaste action admirable Alceste Alceste's allows already anger appear arrival Arsinoé attack attempt attention begins behaviour bien bring C'est cause Célimène Célimène's central character Clitandre comedy comes comic completes Court criticism develop effect Éliante emotional expected expressed fact fait feelings femmes final follows force further gens given gives homme human idea important impression inevitable intended interpretation issue laughter leads less letter lines lover Madame manners matter Misanthrope Molière Molière's monde moral nature object offers opening original Oronte Oronte's pattern performance personne perspective Philinte Philinte's play play's plot portraits possible presented principles produces provides psychological qu'il qualities quarrel question reason recognise relationship reply resolved result ridicule rien role satire says scene seems seen sense sincerity situation social society speaking spectators speech stage suggests takes Tartuffe tout truth trying turn understandable witnessing