Le Misanthrope, Moliere: Critical Monographs in English |
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Page 28
Up to this point ( line 76 ) the debate has been conducted on an abstract level . ... ( 87-92 ) Notice how , in the last four lines above , he tries to rationalize the bilious temperament that controls him .
Up to this point ( line 76 ) the debate has been conducted on an abstract level . ... ( 87-92 ) Notice how , in the last four lines above , he tries to rationalize the bilious temperament that controls him .
Page 43
In two lines tone , character and action are established . ... Although he falls silent until his outburst at line 651 , he remains visible to the spectator throughout the scene as an incongruous brooding presence .
In two lines tone , character and action are established . ... Although he falls silent until his outburst at line 651 , he remains visible to the spectator throughout the scene as an incongruous brooding presence .
Page 77
As a result , the clamour resumes and continues to a second crescendo ( line 1648 ) . ... In three lines of unaffected directness she she demolishes Célimène's pseudo - honnête scruples , and so encourages Alceste and Oronte to resume ...
As a result , the clamour resumes and continues to a second crescendo ( line 1648 ) . ... In three lines of unaffected directness she she demolishes Célimène's pseudo - honnête scruples , and so encourages Alceste and Oronte to resume ...
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Table des matières
Chapter One The Play and its History | 1 |
Chapter Two The Composition of the Play | 13 |
Commentary Act One | 25 |
Droits d'auteur | |
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Expressions et termes fréquents
Acaste action admirable Alceste Alceste's allows already anger appear arrival Arsinoé attack attempt attention begins behaviour bien bring C'est cause Célimène Célimène's central character Clitandre comedy comes comic completes Court criticism develop effect Éliante emotional expected expressed fact fait feelings femmes final follows force further gens given gives homme human idea important impression inevitable intended interpretation issue laughter leads less letter lines lover Madame manners matter Misanthrope Molière Molière's monde moral nature object offers opening original Oronte Oronte's pattern performance personne perspective Philinte Philinte's play play's plot portraits possible presented principles produces provides psychological qu'il qualities quarrel question reason recognise relationship reply resolved result ridicule rien role satire says scene seems seen sense sincerity situation social society speaking spectators speech stage suggests takes Tartuffe tout truth trying turn understandable witnessing