Le Misanthrope, Moliere: Critical Monographs in English |
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Page 43
( 575-6 ) Thus , effortlessly , the scène des portraits is engaged . Portraiture , one of the most demanding manifestations of verbal wit , is a major motif throughout the play . In this scene alone Célimène delivers nine portraits ...
( 575-6 ) Thus , effortlessly , the scène des portraits is engaged . Portraiture , one of the most demanding manifestations of verbal wit , is a major motif throughout the play . In this scene alone Célimène delivers nine portraits ...
Page 44
prevent him resorting to it himself when he gives his uncomplimentary portrait of Clitandre ( II , 1 ) . The use of portraits as a theatrical device is both realistic and inspired . Célimène's gallery of social type opens up a new range ...
prevent him resorting to it himself when he gives his uncomplimentary portrait of Clitandre ( II , 1 ) . The use of portraits as a theatrical device is both realistic and inspired . Célimène's gallery of social type opens up a new range ...
Page 78
The reading of her letters is both structurally and thematically a counterpart to the scène des portraits , but this time Célimène's genius for portraiture is turned against her and no - one on stage is laughing .
The reading of her letters is both structurally and thematically a counterpart to the scène des portraits , but this time Célimène's genius for portraiture is turned against her and no - one on stage is laughing .
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Table des matières
Chapter One The Play and its History | 1 |
Chapter Two The Composition of the Play | 13 |
Commentary Act One | 25 |
Droits d'auteur | |
1 autres sections non affichées
Expressions et termes fréquents
Acaste action admirable Alceste Alceste's allows already anger appear arrival Arsinoé attack attempt attention begins behaviour bien bring C'est cause Célimène Célimène's central character Clitandre comedy comes comic completes Court criticism develop effect Éliante emotional expected expressed fact fait feelings femmes final follows force further gens given gives homme human idea important impression inevitable intended interpretation issue laughter leads less letter lines lover Madame manners matter Misanthrope Molière Molière's monde moral nature object offers opening original Oronte Oronte's pattern performance personne perspective Philinte Philinte's play play's plot portraits possible presented principles produces provides psychological qu'il qualities quarrel question reason recognise relationship reply resolved result ridicule rien role satire says scene seems seen sense sincerity situation social society speaking spectators speech stage suggests takes Tartuffe tout truth trying turn understandable witnessing