Le Misanthrope, Moliere: Critical Monographs in English |
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Page 48
Alceste's exit lines , in which he promises to resume his quarrel with Célimène at the earliest possible moment , end the act on a note of suspense . Act Three Analysis of the act By now the main 48.
Alceste's exit lines , in which he promises to resume his quarrel with Célimène at the earliest possible moment , end the act on a note of suspense . Act Three Analysis of the act By now the main 48.
Page 54
... of how fragile Célimène's butterfly existence is , and a warning of a possible future that confronts her . The second skirmish , then , is less conclusive than the first , though it ends ( line 988 ) with the advantage to Célimène .
... of how fragile Célimène's butterfly existence is , and a warning of a possible future that confronts her . The second skirmish , then , is less conclusive than the first , though it ends ( line 988 ) with the advantage to Célimène .
Page 73
This decision constitutes the dénouement proper , which has been delayed until the last possible moment — the final twenty - nine lines of the play — and still reserves some suprises . Suddenly ( third coup de théâtre ) Alceste's love ...
This decision constitutes the dénouement proper , which has been delayed until the last possible moment — the final twenty - nine lines of the play — and still reserves some suprises . Suddenly ( third coup de théâtre ) Alceste's love ...
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Table des matières
Chapter One The Play and its History | 1 |
Chapter Two The Composition of the Play | 13 |
Commentary Act One | 25 |
Droits d'auteur | |
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Expressions et termes fréquents
Acaste action admirable Alceste Alceste's allows already anger appear arrival Arsinoé attack attempt attention begins behaviour bien bring C'est cause Célimène Célimène's central character Clitandre comedy comes comic completes Court criticism develop effect Éliante emotional expected expressed fact fait feelings femmes final follows force further gens given gives homme human idea important impression inevitable intended interpretation issue laughter leads less letter lines lover Madame manners matter Misanthrope Molière Molière's monde moral nature object offers opening original Oronte Oronte's pattern performance personne perspective Philinte Philinte's play play's plot portraits possible presented principles produces provides psychological qu'il qualities quarrel question reason recognise relationship reply resolved result ridicule rien role satire says scene seems seen sense sincerity situation social society speaking spectators speech stage suggests takes Tartuffe tout truth trying turn understandable witnessing