Le Misanthrope, Moliere: Critical Monographs in English |
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Page 27
The disproportion between cause and effect produces a collapse into bathos . Within minutes of his first appearance , Alceste has already been subjected to the first of the comic deflations which are one of the hallmarks of his role .
The disproportion between cause and effect produces a collapse into bathos . Within minutes of his first appearance , Alceste has already been subjected to the first of the comic deflations which are one of the hallmarks of his role .
Page 41
The effect this time is to produces a brief comedy of indecision when Alceste turns on his heels to go , refuses Célimène's appeal for him to stay , then finally remains to sulk . De Visé's account ( 1 , p . 435 ) suggests that in the ...
The effect this time is to produces a brief comedy of indecision when Alceste turns on his heels to go , refuses Célimène's appeal for him to stay , then finally remains to sulk . De Visé's account ( 1 , p . 435 ) suggests that in the ...
Page 65
... which has the effect of increasing the merriment ( 414 ; 681-2 ) . But this time , Alceste's pained ' Ah ! ne plaisantez pas , il n'est pas temps de rire ' produces that uncomfortable feeling when laughter dies in the throat .
... which has the effect of increasing the merriment ( 414 ; 681-2 ) . But this time , Alceste's pained ' Ah ! ne plaisantez pas , il n'est pas temps de rire ' produces that uncomfortable feeling when laughter dies in the throat .
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Table des matières
Chapter One The Play and its History | 1 |
Chapter Two The Composition of the Play | 13 |
Commentary Act One | 25 |
Droits d'auteur | |
1 autres sections non affichées
Expressions et termes fréquents
Acaste action admirable Alceste Alceste's allows already anger appear arrival Arsinoé attack attempt attention begins behaviour bien bring C'est cause Célimène Célimène's central character Clitandre comedy comes comic completes Court criticism develop effect Éliante emotional expected expressed fact fait feelings femmes final follows force further gens given gives homme human idea important impression inevitable intended interpretation issue laughter leads less letter lines lover Madame manners matter Misanthrope Molière Molière's monde moral nature object offers opening original Oronte Oronte's pattern performance personne perspective Philinte Philinte's play play's plot portraits possible presented principles produces provides psychological qu'il qualities quarrel question reason recognise relationship reply resolved result ridicule rien role satire says scene seems seen sense sincerity situation social society speaking spectators speech stage suggests takes Tartuffe tout truth trying turn understandable witnessing