Le Misanthrope, Moliere: Critical Monographs in English |
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Page 6
Admired for its unrivalled subtlety , psychological depth and classical perfection , no - one would claim for it the euphoric laughter - making appeal of , say , L'École des femmes or Le Bourgeois gentilhomme .
Admired for its unrivalled subtlety , psychological depth and classical perfection , no - one would claim for it the euphoric laughter - making appeal of , say , L'École des femmes or Le Bourgeois gentilhomme .
Page 38
The scene gives us our first taste of the psychological comedy of love . The two characters interact to produce a subtle comedy of insincerity combined with a highly sophisticated version of the traditional comedy of jealousy .
The scene gives us our first taste of the psychological comedy of love . The two characters interact to produce a subtle comedy of insincerity combined with a highly sophisticated version of the traditional comedy of jealousy .
Page 70
Molière's remarkable achievement is firstly to have convinced spectators of its psychological truth , and secondly to make them disregard the context sufficiently to respond to it at an emotional level .
Molière's remarkable achievement is firstly to have convinced spectators of its psychological truth , and secondly to make them disregard the context sufficiently to respond to it at an emotional level .
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Table des matières
Chapter One The Play and its History | 1 |
Chapter Two The Composition of the Play | 13 |
Commentary Act One | 25 |
Droits d'auteur | |
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Expressions et termes fréquents
Acaste action admirable Alceste Alceste's allows already anger appear arrival Arsinoé attack attempt attention begins behaviour bien bring C'est cause Célimène Célimène's central character Clitandre comedy comes comic completes Court criticism develop effect Éliante emotional expected expressed fact fait feelings femmes final follows force further gens given gives homme human idea important impression inevitable intended interpretation issue laughter leads less letter lines lover Madame manners matter Misanthrope Molière Molière's monde moral nature object offers opening original Oronte Oronte's pattern performance personne perspective Philinte Philinte's play play's plot portraits possible presented principles produces provides psychological qu'il qualities quarrel question reason recognise relationship reply resolved result ridicule rien role satire says scene seems seen sense sincerity situation social society speaking spectators speech stage suggests takes Tartuffe tout truth trying turn understandable witnessing