Le Misanthrope, Moliere: Critical Monographs in English |
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Page 19
One is the device of the delayed quarrel with Célimène , establishing a pattern of frustration which spans the first four acts . The other is the rhythmic patterning of the material to give a series of dramatic high points .
One is the device of the delayed quarrel with Célimène , establishing a pattern of frustration which spans the first four acts . The other is the rhythmic patterning of the material to give a series of dramatic high points .
Page 39
It is a situation we will see repeated in the scène des portraits and again in the second quarrel with Célimène . Molière proceeds to explore their relationship with great psychological insight . What we are witnessing is not the ...
It is a situation we will see repeated in the scène des portraits and again in the second quarrel with Célimène . Molière proceeds to explore their relationship with great psychological insight . What we are witnessing is not the ...
Page 48
Since an explanation is required of why Alceste has been summoned , Molière can plausibly extract further comedy from Alceste by evoking the original quarrel with Oronte . Philinte's explanation is phrased in a way to set the matter in ...
Since an explanation is required of why Alceste has been summoned , Molière can plausibly extract further comedy from Alceste by evoking the original quarrel with Oronte . Philinte's explanation is phrased in a way to set the matter in ...
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Table des matières
Chapter One The Play and its History | 1 |
Chapter Two The Composition of the Play | 13 |
Commentary Act One | 25 |
Droits d'auteur | |
1 autres sections non affichées
Expressions et termes fréquents
Acaste action admirable Alceste Alceste's allows already anger appear arrival Arsinoé attack attempt attention begins behaviour bien bring C'est cause Célimène Célimène's central character Clitandre comedy comes comic completes Court criticism develop effect Éliante emotional expected expressed fact fait feelings femmes final follows force further gens given gives homme human idea important impression inevitable intended interpretation issue laughter leads less letter lines lover Madame manners matter Misanthrope Molière Molière's monde moral nature object offers opening original Oronte Oronte's pattern performance personne perspective Philinte Philinte's play play's plot portraits possible presented principles produces provides psychological qu'il qualities quarrel question reason recognise relationship reply resolved result ridicule rien role satire says scene seems seen sense sincerity situation social society speaking spectators speech stage suggests takes Tartuffe tout truth trying turn understandable witnessing