Le Misanthrope, Moliere: Critical Monographs in English |
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Page 32
... advancement at Court ( 289-92 ) ; ( 3 ) betrays the real reason for his flattery — he wants to be flattered himself ( 294-7 ) ; and ( 4 ) fails fatally to understand that Alceste really means it when he says he will give his honest ...
... advancement at Court ( 289-92 ) ; ( 3 ) betrays the real reason for his flattery — he wants to be flattered himself ( 294-7 ) ; and ( 4 ) fails fatally to understand that Alceste really means it when he says he will give his honest ...
Page 62
As she says in her reply , Éliante welcomes the opportunity to voice her feelings sincerely . Bienséance does not allow her to respond explicitly to the last question — they are discussing her love for another man — but it is one she ...
As she says in her reply , Éliante welcomes the opportunity to voice her feelings sincerely . Bienséance does not allow her to respond explicitly to the last question — they are discussing her love for another man — but it is one she ...
Page 87
Nevertheless , when the character is viewed in his social context , and when attention is paid not only to what he says but also to the manner in which he says it , Molière's comic intentions could hardly be more clear .
Nevertheless , when the character is viewed in his social context , and when attention is paid not only to what he says but also to the manner in which he says it , Molière's comic intentions could hardly be more clear .
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Table des matières
Chapter One The Play and its History | 1 |
Chapter Two The Composition of the Play | 13 |
Commentary Act One | 25 |
Droits d'auteur | |
1 autres sections non affichées
Expressions et termes fréquents
Acaste action admirable Alceste Alceste's allows already anger appear arrival Arsinoé attack attempt attention begins behaviour bien bring C'est cause Célimène Célimène's central character Clitandre comedy comes comic completes Court criticism develop effect Éliante emotional expected expressed fact fait feelings femmes final follows force further gens given gives homme human idea important impression inevitable intended interpretation issue laughter leads less letter lines lover Madame manners matter Misanthrope Molière Molière's monde moral nature object offers opening original Oronte Oronte's pattern performance personne perspective Philinte Philinte's play play's plot portraits possible presented principles produces provides psychological qu'il qualities quarrel question reason recognise relationship reply resolved result ridicule rien role satire says scene seems seen sense sincerity situation social society speaking spectators speech stage suggests takes Tartuffe tout truth trying turn understandable witnessing