Le Misanthrope, Moliere: Critical Monographs in English |
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Page 27
Having got the play off to a flying start , Molière milks the comic effect briefly with some gentle teasing by Philinte ( 29-32 ) which reveals another aspect of Alceste's characterhe has no sense of humour - before settling down to a ...
Having got the play off to a flying start , Molière milks the comic effect briefly with some gentle teasing by Philinte ( 29-32 ) which reveals another aspect of Alceste's characterhe has no sense of humour - before settling down to a ...
Page 45
that Alceste is spurred to intervene at this point precisely because he sense the satire is directly obliquely at him . The torrent of compliments from Célimène's admirers now reaches a crescendo : ACASTE Dieu me damne ! voilà son ...
that Alceste is spurred to intervene at this point precisely because he sense the satire is directly obliquely at him . The torrent of compliments from Célimène's admirers now reaches a crescendo : ACASTE Dieu me damne ! voilà son ...
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his language ( he speaks of ' coupable encens ' and ' vices ' ) betraying his usual failure to keep a proper sense of perspective . In this respect , it is significant that Philinte and Éliante ' change sides ' .
his language ( he speaks of ' coupable encens ' and ' vices ' ) betraying his usual failure to keep a proper sense of perspective . In this respect , it is significant that Philinte and Éliante ' change sides ' .
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Table des matières
Chapter One The Play and its History | 1 |
Chapter Two The Composition of the Play | 13 |
Commentary Act One | 25 |
Droits d'auteur | |
1 autres sections non affichées
Expressions et termes fréquents
Acaste action admirable Alceste Alceste's allows already anger appear arrival Arsinoé attack attempt attention begins behaviour bien bring C'est cause Célimène Célimène's central character Clitandre comedy comes comic completes Court criticism develop effect Éliante emotional expected expressed fact fait feelings femmes final follows force further gens given gives homme human idea important impression inevitable intended interpretation issue laughter leads less letter lines lover Madame manners matter Misanthrope Molière Molière's monde moral nature object offers opening original Oronte Oronte's pattern performance personne perspective Philinte Philinte's play play's plot portraits possible presented principles produces provides psychological qu'il qualities quarrel question reason recognise relationship reply resolved result ridicule rien role satire says scene seems seen sense sincerity situation social society speaking spectators speech stage suggests takes Tartuffe tout truth trying turn understandable witnessing