Le Misanthrope, Moliere: Critical Monographs in English |
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Page 38
Strictly speaking , there is no continuity of action between this scene and the previous act . Alceste has left the house at the end of Act I , and on his way out met Célimène returning from her shopping expedition ( 250-1 & 456 ) .
Strictly speaking , there is no continuity of action between this scene and the previous act . Alceste has left the house at the end of Act I , and on his way out met Célimène returning from her shopping expedition ( 250-1 & 456 ) .
Page 61
Philinte raises the question of Alceste's love for Célimène , expressing surprise and misgivings just as he did when speaking to Alceste in the opening scene . Éliante's explanation that the head does not rule the heart ( 1175-8 ) ...
Philinte raises the question of Alceste's love for Célimène , expressing surprise and misgivings just as he did when speaking to Alceste in the opening scene . Éliante's explanation that the head does not rule the heart ( 1175-8 ) ...
Page 77
Philinte , speaking as a perfect honnête homme , has argued that there are times when it is preferable to suppress the truth rather than give offence needlessly ( 73-80 ) . Alceste's refusal to heed this sensible advice has given rise ...
Philinte , speaking as a perfect honnête homme , has argued that there are times when it is preferable to suppress the truth rather than give offence needlessly ( 73-80 ) . Alceste's refusal to heed this sensible advice has given rise ...
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Table des matières
Chapter One The Play and its History | 1 |
Chapter Two The Composition of the Play | 13 |
Commentary Act One | 25 |
Droits d'auteur | |
1 autres sections non affichées
Expressions et termes fréquents
Acaste action admirable Alceste Alceste's allows already anger appear arrival Arsinoé attack attempt attention begins behaviour bien bring C'est cause Célimène Célimène's central character Clitandre comedy comes comic completes Court criticism develop effect Éliante emotional expected expressed fact fait feelings femmes final follows force further gens given gives homme human idea important impression inevitable intended interpretation issue laughter leads less letter lines lover Madame manners matter Misanthrope Molière Molière's monde moral nature object offers opening original Oronte Oronte's pattern performance personne perspective Philinte Philinte's play play's plot portraits possible presented principles produces provides psychological qu'il qualities quarrel question reason recognise relationship reply resolved result ridicule rien role satire says scene seems seen sense sincerity situation social society speaking spectators speech stage suggests takes Tartuffe tout truth trying turn understandable witnessing