Le Misanthrope, Moliere: Critical Monographs in English |
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Page 32
In exploring aspects of the character and his ideas , Molière has prepared the spectators ' responses , and set up expectations . In the ensuing scene those expectations are richly fulfilled . Alceste has adopted an impossibly dogmatic ...
In exploring aspects of the character and his ideas , Molière has prepared the spectators ' responses , and set up expectations . In the ensuing scene those expectations are richly fulfilled . Alceste has adopted an impossibly dogmatic ...
Page 33
He also reports that during the first performance some spectators applauded the sonnet , only to be ' confus ' when Alceste proceeded to condemn it . Later writers have embroidered on the story , claiming that the spectators ...
He also reports that during the first performance some spectators applauded the sonnet , only to be ' confus ' when Alceste proceeded to condemn it . Later writers have embroidered on the story , claiming that the spectators ...
Page 78
Our enjoyment as spectators comes from seeing through the mask , which we do by deciphering the unspoken subtext in what the characters say . In Arsinoé's case this is a straightforward matter of reading black for white .
Our enjoyment as spectators comes from seeing through the mask , which we do by deciphering the unspoken subtext in what the characters say . In Arsinoé's case this is a straightforward matter of reading black for white .
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Table des matières
Chapter One The Play and its History | 1 |
Chapter Two The Composition of the Play | 13 |
Commentary Act One | 25 |
Droits d'auteur | |
1 autres sections non affichées
Expressions et termes fréquents
Acaste action admirable Alceste Alceste's allows already anger appear arrival Arsinoé attack attempt attention begins behaviour bien bring C'est cause Célimène Célimène's central character Clitandre comedy comes comic completes Court criticism develop effect Éliante emotional expected expressed fact fait feelings femmes final follows force further gens given gives homme human idea important impression inevitable intended interpretation issue laughter leads less letter lines lover Madame manners matter Misanthrope Molière Molière's monde moral nature object offers opening original Oronte Oronte's pattern performance personne perspective Philinte Philinte's play play's plot portraits possible presented principles produces provides psychological qu'il qualities quarrel question reason recognise relationship reply resolved result ridicule rien role satire says scene seems seen sense sincerity situation social society speaking spectators speech stage suggests takes Tartuffe tout truth trying turn understandable witnessing