Le Misanthrope, Moliere: Critical Monographs in English |
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Page 15
Readers such as Rousseau may find this intolerable ; others may prefer to conclude that Molière has chosen to remain true to the exigences of the comic stage rather than to an abstract moral thesis . The structure and unity of the play ...
Readers such as Rousseau may find this intolerable ; others may prefer to conclude that Molière has chosen to remain true to the exigences of the comic stage rather than to an abstract moral thesis . The structure and unity of the play ...
Page 57
It marks a further stage in the process of withdrawal from society which will lead eventually to his désert . It expresses a growing awareness on his part of his incompatibility with the world : Et que voudriez - vous , Madame , que j'y ...
It marks a further stage in the process of withdrawal from society which will lead eventually to his désert . It expresses a growing awareness on his part of his incompatibility with the world : Et que voudriez - vous , Madame , que j'y ...
Page 58
( 1121-4 ) Notice that Molière spares Alceste the indignity of voicing his final capitulation ; instead it is expressed visually in the image of Alceste being led off - stage by Arsinoé . Confident of having hooked Alceste , Arsinoé can ...
( 1121-4 ) Notice that Molière spares Alceste the indignity of voicing his final capitulation ; instead it is expressed visually in the image of Alceste being led off - stage by Arsinoé . Confident of having hooked Alceste , Arsinoé can ...
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Table des matières
Chapter One The Play and its History | 1 |
Chapter Two The Composition of the Play | 13 |
Commentary Act One | 25 |
Droits d'auteur | |
1 autres sections non affichées
Expressions et termes fréquents
Acaste action admirable Alceste Alceste's allows already anger appear arrival Arsinoé attack attempt attention begins behaviour bien bring C'est cause Célimène Célimène's central character Clitandre comedy comes comic completes Court criticism develop effect Éliante emotional expected expressed fact fait feelings femmes final follows force further gens given gives homme human idea important impression inevitable intended interpretation issue laughter leads less letter lines lover Madame manners matter Misanthrope Molière Molière's monde moral nature object offers opening original Oronte Oronte's pattern performance personne perspective Philinte Philinte's play play's plot portraits possible presented principles produces provides psychological qu'il qualities quarrel question reason recognise relationship reply resolved result ridicule rien role satire says scene seems seen sense sincerity situation social society speaking spectators speech stage suggests takes Tartuffe tout truth trying turn understandable witnessing