Le Misanthrope, Moliere: Critical Monographs in English |
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Page 32
In the second scene we see him do both in turn . Up to this point Alceste has been countered by a reasoning voice . Now he suddenly finds himself confronting the living embodiment of the cause of his bile , in the person of Oronte .
In the second scene we see him do both in turn . Up to this point Alceste has been countered by a reasoning voice . Now he suddenly finds himself confronting the living embodiment of the cause of his bile , in the person of Oronte .
Page 41
Célimène's defence of her decision to receive him permits , in turn , a miniature aricature of the social type ( a ... The effect this time is to produces a brief comedy of indecision when Alceste turns on his heels to go , refuses ...
Célimène's defence of her decision to receive him permits , in turn , a miniature aricature of the social type ( a ... The effect this time is to produces a brief comedy of indecision when Alceste turns on his heels to go , refuses ...
Page 61
A wholly comic climate is equally impossible to sustain when the conversation turns to the sentimental entanglements . Philinte raises the question of Alceste's love for Célimène , expressing surprise and misgivings just as he did when ...
A wholly comic climate is equally impossible to sustain when the conversation turns to the sentimental entanglements . Philinte raises the question of Alceste's love for Célimène , expressing surprise and misgivings just as he did when ...
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Table des matières
Chapter One The Play and its History | 1 |
Chapter Two The Composition of the Play | 13 |
Commentary Act One | 25 |
Droits d'auteur | |
1 autres sections non affichées
Expressions et termes fréquents
Acaste action admirable Alceste Alceste's allows already anger appear arrival Arsinoé attack attempt attention begins behaviour bien bring C'est cause Célimène Célimène's central character Clitandre comedy comes comic completes Court criticism develop effect Éliante emotional expected expressed fact fait feelings femmes final follows force further gens given gives homme human idea important impression inevitable intended interpretation issue laughter leads less letter lines lover Madame manners matter Misanthrope Molière Molière's monde moral nature object offers opening original Oronte Oronte's pattern performance personne perspective Philinte Philinte's play play's plot portraits possible presented principles produces provides psychological qu'il qualities quarrel question reason recognise relationship reply resolved result ridicule rien role satire says scene seems seen sense sincerity situation social society speaking spectators speech stage suggests takes Tartuffe tout truth trying turn understandable witnessing