Cinema Houston: From Nickelodeon to Megaplex

Couverture
University of Texas Press, 30 juin 2010 - 352 pages

Cinema Houston celebrates a vibrant century of movie theatres and moviegoing in Texas's largest city. Illustrated with more than two hundred historical photographs, newspaper clippings, and advertisements, it traces the history of Houston movie theatres from their early twentieth-century beginnings in vaudeville and nickelodeon houses to the opulent downtown theatres built in the 1920s (the Majestic, Metropolitan, Kirby, and Loew's State). It also captures the excitement of the neighborhood theatres of the 1930s and 1940s, including the Alabama, Tower, and River Oaks; the theatres of the 1950s and early 1960s, including the Windsor and its Cinerama roadshows; and the multicinemas and megaplexes that have come to dominate the movie scene since the late 1960s.

While preserving the glories of Houston's lost movie palaces—only a few of these historic theatres still survive—Cinema Houston also vividly re-creates the moviegoing experience, chronicling midnight movie madness, summer nights at the drive-in, and, of course, all those tasty snacks at the concession stand. Sure to appeal to a wide audience, from movie fans to devotees of Houston's architectural history, Cinema Houston captures the bygone era of the city's movie houses, from the lowbrow to the sublime, the hi-tech sound of 70mm Dolby and THX to the crackle of a drive-in speaker on a cool spring evening.

 

Table des matières

ONE Staged Origins
1
TWO The Nickelodeons
9
THREE Bigger and Better
29
FOUR The Majestics
43
The Metropolitan the Kirby and Loews State
65
You Aint Heard Nothing Yet
85
SEVEN Will Horwitz Philanthropist
101
EIGHT The Neighborhood Theatre 19341949
117
The Times They Are AChangin
229
FOURTEEN The XHouses
241
Safety in Numbers
251
The Concession Stand
265
Midnight Movies and the Alternative Cinema
273
EIGHTEEN Rediscovery in the Age of the Megaplex
285
An Afterword
295
Notes
299

NINE Hoblitzelles Interstate
151
TEN Jim Crow and the Ethnic theatre
177
The Incredible 3D WideScreen Technicolor StereophonicSound Ballyhoo Parade
195
A View from the Car Seat
203

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Page 1 - I didn't like the play, but then I saw it under adverse conditions— the curtain was up.
Page 9 - you should be grateful, since although my invention is not for sale, it would undoubtedly ruin you. It can be exploited for a certain time as a scientific curiosity but, apart from that, it has no commercial future whatsoever.
Page 9 - ... projecting the pictures. If we kept the number of exposures down too low it made the action jerky and hard to follow on the screen. Nearly all of our first pictures allowed from thirty to forty exposures per second, although the number has since been reduced down to from fifteen to twenty. I consider that the greatest mission of the motion picture is first to make people happy ... to bring more joy and cheer and wholesome good will into this world of ours. And God knows we need it. Second —...

À propos de l'auteur (2010)

David Welling, a Houston resident who attended many of the theatres in this book, is a graphic artist and writer whose projects have ranged from corporate magazines to album covers and fantasy illustrations. He has written articles about film and theatres for such publications as the Houston Post and the Houston Press.

Informations bibliographiques