I knew that Time was fleeting fast, I reck'd not of an hour like this; Ye Guardians of my earliest days, And you, my friends, who loved to share Whate'er was mine, of sport or care; Antagonists at Fives or Chess, Friends in the Play-ground or the Press, I leave ye now; and all that rests Yes! when at last I sit me down, When Clio yields to Logic's wrangles, Others may clothe their Valediction And search for Gods about the College, And one may eloquently tell The triumphs of the Windsor belle, Oh! he hath much and wondrous skill, And smiles, and talks, until the Poet My lyre is still, my fancy cold. Which read, and read, we roll our eyes in doubt, BAVIAD. I. I AM a great admirer of flowers. In my childish days my predilection for these little toys of Nature amounted to an absolute passion. They seemed to me vested with a mysterious and unearthly beauty," the glory and freshness of a dream." But those days are gone; boyhood is past, and the enchanted * These words, which, in the first edition, were quoted as a fragment of Anacreon, form part of a Greek version of a well-known nursery song, by a gentleman of distinguished classical attainments in the University of Cambridge. As this circumstance has been misunderstood, or misrepresented, so as to fix a charge of intentional plagiarism on the writer of atmosphere which boyhood carries about with it, and through which it beholds all things arrayed in colours not their own, is vanished likewise. 66 Nothing can bring back the hour Of splendor in the grass, or glory in the flower." They are now mere terrestrial objects-and yet how passing beautiful!-Since my flower-loving days, a period of many years has elapsed, during which I have had few opportunities of access to my early favourites; it is only within the last month or two that I have resumed my acquaintance with them, and they now wear the charm of novelty combined with that of early recollec-* tions. I love them all, from the piony to the heart'sease--from the sublime hollyhock to the unpretending laburnum. It was but the other day, that, tired out with doubts and dochmiacs, I immersed myself in my friend — 's garden. What a delightful renewal of old acquaintance! There was the glowing marigold, breathing forth its rich oriental fragrance; the pretty rustic honeysuckle, fitly named; the laburnum, with its profusion of minute sweetnesses; the royal sunflower, in its amplitude of the article, he has thought it worth while to make the above statement. He has also obtained permission to publish the whole of the translation. Ποῖ σὺ, χηνίδιον, ἀλαίνεις; Σὸς πατὴρ μακροσκελής Ρίπτε κλιμάκων ἄπαι Θεοκλυτῶν οὐ κείσεται, charms, resembling that noble creature of Nature's handywork, Mrs. ; the genial wall-flower, reminding me of my cordial cousin, Fanny H; the virgin lily, towering in stately meekness, like my dear kinswoman, M. F, the most matronly of maidens, and the most maidenly of matrons; and the gallantlyattired sweet-pea, and the spruce sweet-william; and the rose, the queen of them all, in her many forms, all beautiful; the red rose, and the Austrian rose, with its luxurious purple leaves; and the white rose, as Cowper describes it, throwing up into the gloom of the neighbouring yew or cypress "Its silver globes, light as the foamy surf Which the wind severs from the broken wave.' Even the yellow Dutch rose pleases me for its name's sake. There is something really superior in the pleasure you derive from a rose. One feasts one's eyes on the colour of a tulip, with the same sensations one experiences in reading Darwin's Poems-pleased with the gaudy hues, and nothing more; and the fragrance of the jonquil is, after all, but a mechanical sort of enjoyment; but there is something of sentiment in a rose. It is beautiful, too, at all stages of its existence-whether in the bud, or full-blown, or newly opening---like Caroline Mowbray, already exquisitely fair, yet giving promise of a rich arrear of beauties, hid one within the other, fold behind fold.- -But I am losing myself. I have compared sundry flowers to sundry women--and, indeed, there appears to be an analogy between women and flower kind,--both beautiful, and delicate, and weak-gay in attire, and requiring assiduous care and fostering. Surely flowers are the womankind of inanimate nature. Man may take the trees and shrubs for his emblems;--the venerable elm may signify wisdom; and the pine, warring with the storm, be the type of courage-- |