From Dickens to HardyBoris Ford Penguin Books, 1982 - 527 pages The Victorian social and political scene - Literary scene -Charles Dickens - Thackeray and Trollope - Tennyson - Robert Browning - Bronte sisters - George Eliot - Language and literature in the Victorian period - Matthew Arnold - Gerard Manley Hopkins - Hardy's tales - Aspects of Victorian architecture. |
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Page 153
... gentry , as in the way in which the principles for which the English gentry stands affect its less privileged members as well as the lesser orders . But it is a gentry in the nineteenth century already deeply veined with a middle ...
... gentry , as in the way in which the principles for which the English gentry stands affect its less privileged members as well as the lesser orders . But it is a gentry in the nineteenth century already deeply veined with a middle ...
Page 161
... gentry receives its moral sanction , tend to drop out of his stories and are replaced by politicians and lawyers . We now meet with themes in which there is a greater degree of bad faith in the gentry , of compromise , of admitting the ...
... gentry receives its moral sanction , tend to drop out of his stories and are replaced by politicians and lawyers . We now meet with themes in which there is a greater degree of bad faith in the gentry , of compromise , of admitting the ...
Page 162
... gentry . Yet he never translates his understanding of that gentry into terms that take into consideration past strength , present uncertainties , and future possibilities . He underestimates drastically the degree to which agriculture ...
... gentry . Yet he never translates his understanding of that gentry into terms that take into consideration past strength , present uncertainties , and future possibilities . He underestimates drastically the degree to which agriculture ...
Table des matières
PART | 13 |
ROBIN MAYHEAD | 220 |
LEO SALINGAR | 237 |
Droits d'auteur | |
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Expressions et termes fréquents
acceptance achievement appears architecture Arnold beauty become beginning better buildings called Carlyle century character common concerned contrast course criticism death described detail Dickens early effect Eliot emotional England English essay example experience expression fact feeling fiction George give hand Hardy Hardy's House human imagination important impression industrial influence interest kind language later less literary literature living London look means mind moral nature never novel novelist once opening perhaps period poem poet poetry political popular present reader reading relation represent romantic Ruskin seems seen sense sentiment shows social society spirit story style success suggest Tennyson things thought town tradition true turn verse Victorian whole writing written wrote young