From Dickens to HardyBoris Ford Penguin Books, 1982 - 527 pages The Victorian social and political scene - Literary scene -Charles Dickens - Thackeray and Trollope - Tennyson - Robert Browning - Bronte sisters - George Eliot - Language and literature in the Victorian period - Matthew Arnold - Gerard Manley Hopkins - Hardy's tales - Aspects of Victorian architecture. |
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Page 154
... reader's interest is fully engaged on the theme , those novels where the reader's interest is not captured suffer precisely from lack of suspense and are prosaically dull . Perhaps the most disfiguring effect of his audience on his ...
... reader's interest is fully engaged on the theme , those novels where the reader's interest is not captured suffer precisely from lack of suspense and are prosaically dull . Perhaps the most disfiguring effect of his audience on his ...
Page 161
... reader's interest from beginning to end . And the Grace Crawley - Major Grantly theme helps to underpin the major section devoted to her father . But the London section , good though it is in itself , distracts . Many of the non ...
... reader's interest from beginning to end . And the Grace Crawley - Major Grantly theme helps to underpin the major section devoted to her father . But the London section , good though it is in itself , distracts . Many of the non ...
Page 516
... Reader in English Literature , Sheffield University . Author of The Heeded Voice ( 1959 ) , editor of The Journals of George Sturt ( 1967 ) and Hazlitt's The Spirit of the Age ( 1969 ) . ROBIN MAYHEAD Reader in English Literature at the ...
... Reader in English Literature , Sheffield University . Author of The Heeded Voice ( 1959 ) , editor of The Journals of George Sturt ( 1967 ) and Hazlitt's The Spirit of the Age ( 1969 ) . ROBIN MAYHEAD Reader in English Literature at the ...
Table des matières
PART | 13 |
ROBIN MAYHEAD | 220 |
LEO SALINGAR | 237 |
Droits d'auteur | |
14 autres sections non affichées
Expressions et termes fréquents
acceptance achievement appears architecture Arnold beauty become beginning better buildings called Carlyle century character common concerned contrast course criticism death described detail Dickens early effect Eliot emotional England English essay example experience expression fact feeling fiction George give hand Hardy Hardy's House human imagination important impression industrial influence interest kind language later less literary literature living London look means mind moral nature never novel novelist once opening perhaps period poem poet poetry political popular present reader reading relation represent romantic Ruskin seems seen sense sentiment shows social society spirit story style success suggest Tennyson things thought town tradition true turn verse Victorian whole writing written wrote young