Bloomsbury, Modernism, and the Reinvention of Intimacy

Couverture
Cambridge University Press, 16 juin 2011
Bloomsbury, Modernism, and the Reinvention of Intimacy integrates studies of six members and associates of the Bloomsbury group into a rich narrative of early twentieth century culture, encompassing changes in the demographics of private and public life, and Freudian and sexological assaults on middle-class proprieties Jesse Wolfe shows how numerous modernist writers felt torn between the inherited institutions of monogamy and marriage and emerging theories of sexuality which challenged Victorian notions of maleness and femaleness. For Wolfe, this ambivalence was a primary source of the Bloomsbury writers' aesthetic strength: Virginia Woolf, D. H. Lawrence, and others brought the paradoxes of modern intimacy to thrilling life on the page. By combining literary criticism with forays into philosophy, psychoanalysis, sociology, and the avant-garde art of Vienna, this book offers a fresh account of the reciprocal relations between culture and society in that key site for literary modernism known as Bloomsbury.
 

Table des matières

narrating Bloomsbury
1
Part I Philosophical backgrounds
29
Chapter 1 Yellowy goodness in Bloomsburys bible
31
Chapter 2 Freuds denial of innocence
51
Part II Defeated husbands
77
Chapter 3 Forsters missing figures
79
Chapter 4 The love that cannot be escaped
115
Part III Domestic angels
141
Chapter 5 Woolfs sane woman in the attic
143
Chapter 6 A return to essences
164
the prescience of the two Bloomsburies
192
Appendix
200
Notes
211
Bibliography
240
Index
258
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À propos de l'auteur (2011)

Jesse Wolfe is Assistant Professor of English at California State University, Stanislaus.

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