Analysis and Assessment, 1980-1994Cary D. Wintz Taylor & Francis, 1996 - 482 pages Twenty-nine collected essays represent a critical history of Shakespeare's play as text and as theater, beginning with Samuel Johnson in 1765, and ending with a review of the Royal Shakespeare Company production in 1991. The criticism centers on three aspects of the play: the love/friendship debate. |
Table des matières
75 | 5 |
Zora Neale Hurston and Maya Angelou | 11 |
Storytelling as Dialectic in Their Eyes | 26 |
Rereading Claude McKay | 44 |
Passing for What? Aspects of Identity in Nella Larsens Novels | 87 |
A Case Study from the Twenties | 103 |
An International Perspective | 153 |
Women Poets | 167 |
Jean Toomer and the Politics and Poetics of National Identity | 298 |
Marcus Garvey and the Harlem Renaissance | 321 |
Their Struggle for Control | 343 |
Zora Neale Hurston | 353 |
Three Notes Toward a Cultural Definition | 360 |
The Iconography | 375 |
The Writers and Poets | 390 |
Two Black Poets and Their Legacy | 397 |
The Harlem Renaissance and the American Twenties | 191 |
Black French Writers | 202 |
Entrance and Initiation | 210 |
A Vision of Black Culture in Two Novels by Claude McKay | 222 |
The Irish and Harlem Renaissances | 228 |
Zora Neale Hurston The Black Woman Writer | 241 |
The Politics and Aesthetics of the Harlem Renaissance | 251 |
Carl Van Vechten Blanche Knopf | 267 |
Harlem Renaissance Women | 405 |
Forgotten | 413 |
The Origins of Poetry in Langston Hughes | 431 |
An Historical Perspective | 443 |
A Spiritual Kinship | 451 |
Jean Toomer and the New Negroes of Washington | 469 |
Acknowledgments | |
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