Film as a subversive artA classic returns! The original edition of Amos Vogel's seminal book, Film as a Subversive Artwas first published in 1974, and has been out of print since 1987. According to Vogel--founder of Cinema 16, North America's legendary film society--the book details the "accelerating worldwide trend toward a more liberated cinema, in which subjects and forms hitherto considered unthinkable or forbidden are boldly explored." So ahead of his time was Vogel that the ideas that he penned some 30 years ago are still relevant today, and readily accessible in this classic volume. Accompanied by over 300 rare film stills, Film as a Subversive Artanalyzes how aesthetic, sexual and ideological subversives use one of the most powerful art forms of our day to exchange or manipulate our conscious and unconscious, demystify visual taboos, destroy dated cinematic forms, and undermine existing value systems and institutions. This subversion of form, as well as of content, is placed within the context of the contemporary world view of science, philosophy, and modern art, and is illuminated by a detailed examination of over 500 films, including many banned, rarely seen, or never released works. |
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Review: Film as a Subversive Art
Avis d'utilisateur - Erik - GoodreadsI skimmed through this several years ago, writing down many names and titles; at that point in my life it was very eye-opening, as I was just beginning to expand my cinematic horizons into the ... Consulter l'avis complet
Table des matières
Section 1 | 27 |
Section 2 | 40 |
Section 3 | 41 |
Droits d'auteur | |
19 autres sections non affichées
Autres éditions - Tout afficher
Expressions et termes fréquents
action aesthetic alienation American artist attack attempt audience avant-garde become Bernardo Bertolucci bourgeois Bunuel camera censors Cinema Novo cinema verite close-up colour commercial contemporary create Czech Czechoslovakia death director documentary East editing Eisenstein entirely episode erotic eroticism exist expressionist film's filmic filmmaker footage frame France girl Godard hard-core Hitler homosexual human ideological images interviews James Broughton Jean-Luc Godard Left and Revolutionary live ltaly Luis Bunuel mass masterpiece masturbation ment metaphor minimal cinema modern montage movement moving Muehl murder mysterious Nagisa Oshima Nazi newsreel nude nudity numbers objects obscene Otto Muehl passion perverse photographed plot poetic political cinema pornographic portrayal portrayed protagonists radical realism reality reveals revolution Revolutionary Cinema scene screen seep sequence sexual shock shot society Soviet Stan Brakhage story subconscious subversive surrealism surrealist symbols tion universe victims Vietnam viewer Viridiana Warhol Werner Herzog West Germany woman York young

